Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.

A meditation on freedom and technological approaches to manifest destiny.

A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

A man is trapped in a sinister flat where nothing seems to obey the laws of nature.

Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)

As surreal as it is nightmarish. Ella's parents get into a nasty argument and leave her in a house with two unknown guests.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

A mixed-media biography of a fictional animation tycoon.

2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.

Navigating an emotionally intense, but out-of-sync relationship, Connell and Jesse fall prey to an entity that feeds on their detachment.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.

At the end of an extraordinary situation in the village, when the people of the village cannot reach the government, they try to break a curse by organizing various rituals under the leadership of the Mukhtar and Kadir. After a while, the government official who comes to the village will confront the villagers with another reality in an authoritarian manner.