Considered for a few years the “country of the future”, Brazil has seen since 2013 a deep disenchantment between the middle and popular classes that culminated with the rise of Jair Bolsonaro to the Presidency in 2018. Enchanted portrays this recent Brazilian history from a homonymous neighborhood of the Rio suburb transfigured by the 2016 Olympics. From Rio to Paris, a political and poetic testimony of Brazil through the eyes of the first generation of the popular class to study abroad.
Taped at Los Angeles’ iconic Orpheum Theatre, this staged presentation of The West Wing’s “Hartsfield’s Landing” episode stars core cast members along with special guest stars. Act Breaks feature commentary from former First Lady Michelle Obama, President Bill Clinton and Lin-Manuel Miranda who share messages about the vital importance of making our voices heard in every election.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
In 2015, a new spanish political party, named Podemos, made history by becoming the third force of the parliament, just two years after its creation. This is how it happened.
An examination of the sordid machinations involved in becoming president of the United States. Rich Hall looks back at some of the dirtiest and nastiest presidential campaigns of the past, proving that the 2016 race to the White House is not the first time the contest has got personal.
In front of a live audience at the Raleigh Memorial Auditorium at the Progress Energy Center for the Performing Arts in Raleigh, North Carolina, the Emmy-nominated host of Real Time with Bill Maher performs an all-new hour of stand-up comedy. Among the topics Bill discusses in his ninth HBO solo special are: Whether the "Great Recession" is really over; the fake patriotism of the right wing; what goes on in the mind of a terrorist; why Obama needs a posse instead of the secret service; the drug war; Michael Jackson; getting out of Iraq and Afghanistan; racism; the Teabagger movement; religion; the health-care fight; why Gov. Mark Sanford will come out looking good, and how silly it is to ask "Why do men cheat?"; and why comedy most definitely didn't die when George Bush left office.
A director follows his right-wing friend during his reelection campaign for Le Havre's mayorship.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
A crowd of spectators listen to President William McKinley's speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
On November 3, 1979, members of the Communist Workers Party were holding a Death to the Klan rally in Greensboro, North Carolina. Suddenly a caravan rounded the corner, scattering the protesters. Klansmen and Nazis emerged from the cars, unloaded an arsenal of guns and began firing. Five people were killed in what became known as the Greensboro Massacre. Greensboro: Closer to the Truth reconnects 25 years later with the players in this tragedy—widowed and wounded survivors, along with their attackers—and chronicles how their lives have evolved in the long aftermath of the killings. All converge when the first Truth and Reconciliation Commission ever held in the United States is convened in Greensboro from 2004-2006 to investigate the Massacre. As the Commission struggles to uncover what actually happened and why, the participants confront the truth of their past, and struggle with the possibility of hope and redemption.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
The journey of Senator Margaret Chase Smith from Skowhegan to Washington D.C. included obstacles such as 1950s gender bias and McCarthyism. Along the way Senator Smith became the first woman in history to serve in both the U.S. House and Senate. Hosted by Jack Perkins, the film includes insightful interviews with Senators Olympia Snow, Susan Collins, and Bill Cohen.
An inside look at Jessica Piper, a Democratic Candidate running for a House seat in District 1 of Missouri. This is a snapshot of her mind and what it feels like to run a campaign in an overlooked place.
A documentary focusing on the stories of three Israeli women seeking a divorce through religious courts.
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.