Hollywood film music has its roots in Europe. Three composers who fled war and National Socialism to the USA created the sound that still shapes film music today: Erich Wolfgang Korngold, Max Steiner and Franz Waxman. In the early 20th century, these classically trained composers transformed the methods acquired in Vienna and Berlin into a new American art form: film music. They balanced the relationship between image and sound and developed techniques and dramaturgical tricks to achieve the greatest possible effect on the viewer. Their influence is visible in the work of contemporary US composers such as John Williams and Jerry Goldsmith. Today, Oscar winner Hans Zimmer, Ramin Djawadi and Harold Faltermeyer continue this tradition. Their melodies are part of humanity's collective memory and reflect the combined traditions of European and American musical history. The documentary accompanies composers in their work and explores the European roots of Hollywood.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

Shark expert Neil Hammerschlag and a crew of researchers search for an elusive hammerhead shark.

For over 60 years, Studs Terkel elevated the voices and experiences of everyday Americans through his skillful interviews on radio, in books and on TV. This documentary takes a fond and illuminating look back at one of America's most influential authors and media personalities whose curiosity about people never dimmed over the course of a long and brilliant career.

A documentary that explores the challenges that a life in music can bring.

Joe Kenda's investigation into the brutal rape and murder of 24 year old wife and mother Mary Lynn Vialpando goes cold until DNA technology leads cold-case detectives to the most unlikely of killers 30 years later.

Using engaging interviews and arresting visuals, this documentary investigates the case for milk as a nutritious food. Is milk good for us or not?

Bradley Eros is at the forefront of the NYC underground and experimental cinema movement, blending the boundaries of experimental film, expanded cinema, and performance art. Whether it be by himself or through one of his many collaborative groups, Eros reutilizes the visual language we all know in a sensory engaging and thought provoking way. Experience Eros and the Optipus Group collaborate on a piece that celebrates the life and death of celluloid.

Tribute to actor and director John Cassavetes who died in February 1989. Friends, associates and fellow directors remember the man and his work.

In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.

In celebration of its 10th anniversary, Geoff Keighley sits down with Creative Director Ken Levine and Director Shawn Robertson for a feature-length retrospective discussion about the origins of Bioshock.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.