A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
Filmed at LA's SoFi Stadium, The Weeknd brings down the house – and your living room – in this epic concert event.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.
Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.
Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.
Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.
Documentary about Colombian artist Ana Mercedes Hoyos, which deals with slavery and Afro-Caribbean cultures.
The Spanish sculptor meditates about his life and work
"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.
David Hockney undertakes a commission to design and install a stained-glass window in Westminster Abbey to commemorate the sixty-fifth year of Queen Elizabeth II's reign.
One of the most provocative and elusive figures in contemporary art finds himself the subject of Maura Axelrod's film. Catapulted to worldwide notoriety in 1999 by The Ninth Hour, a sculpture of Pope John Paul II toppled by a meteorite, Maurizio Cattelan's work has bordered on criminal activity (breaking into a gallery and stealing another artist's work) and regularly defies good taste - Him features Hitler in prayer and sold earlier this year for a whopping £12,000,000. Building his career on evasion, trickery and subversion, Cattelan is perhaps not the most reliable of interviewees, but ex-girlfriends, family members, collectors and dealers build a compelling and intimate portrait of an enigmatic figure. Bold, witty and playful as a Cattelan work itself, is this film really all it seems?
The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.
This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.
Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.
Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.