Sometimes it takes a child or two to fix the adult problems! Siems mother and father are divorced , but his father Rik has found love again , and be married to Winnie's mother Tosca . Siem loves Winnie , so when the relationship between Rik and Tosca begins to creak, devises the two children , a plan designed to get parents to get back together ; they make a movie with good advice about love . And what a movie ! The small movie clips bubbles of love and creativity , both in front of and behind the camera . We will diligently around the genres when Siem and Winnie must interpret many of love . A sweet , funny and sensitive film that is about to stick together and keep each other - and each other's differences , not least .
If Bugs Bunny were to direct his signature inquiry--"What's up, doc?"--toward the modern-day Warner Bros. creative team, he wouldn't be far off. For 1001 Rabbit Tales, they've doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here's the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids' book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam's pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who'd sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
A man is in self-quarantine in a housing building that is under construction. But the place is so chaotic that he isn't able to sleep. One day he goes over to the local zoo and attempts to sleep there.
A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Pitch, the mean-spirited devil, is trying to ruin Christmas. Santa Claus teams up with Merlin the Magician and the children of the world in order to save the day!
After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.
For a young boy, ordinary facts and things of daily life seem to have great importance.
It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.
Both a scientific and dreamlike documentary at once, Ghost Cell is a stereoscopic plunge into the guts of an organic Paris seen as a cell through a virtual microscope.
On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.
An abstract experimental short film from Jordan Belson.
A inept courier realises he has been used by criminals to deliver money. On the run from both the criminals and police, he poses as a Scout leader and leads a scout group on a hike through the mountains.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Toroid is an experimental audio-reactive animation work that demonstrates the possibilities of harnessing digital waveforms of electronic origin into a continual source of power. By making the invisible visible, the work bears similarity and inspiration from the extensive quantum energy research at CERN which seeks to uncover and control the particles in and around us. In this era of over-production and over-algorithmic data illusion of choices, Toroid inserts itself in the digital narrative as a power source simulation showing a possibility for ensuring a positive flow of eternal (renewable) energy working in parallel with the natural order.
Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.