At a time when the world is discussing the impact of human actions on the environment, Amazônia Eterna presents a critical analysis of how the world's largest tropical rainforest is understood and appreciated.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
In this high school reunion movie turned inside out, filmmaker Cecilia Aldarondo relives her tortured adolescence, wondering if she remembered it all wrong.
With unprecedented access to the Mary Tyler Moore Estate, friends, family, and colleagues, Being Mary Tyler Moore constructs an intimate mosaic of Mary's sixty-year career in show business.
Kore-eda started as a documentary maker with this beautiful portrait about the life and work of the head of Japanese social work. Yamanouchi Yoyomori devoted himself to the victims of the Minamata disease, caused by methyl mercury poisoning.
Experimental, impressionistic documentary of San Francisco with narration based on a poem by Robert Louis Stevenson and narrated by Vincent Price
An elementary school in Japan begins an experimental program that frames the students' curriculum around one single project: the raising of a calf from adolescence to adulthood. Through their work with the calf, the students learn about math, biology, nutrition and numerous other subjects. But after multiple years of investing energy and emotion into their beloved pet, the students begin to realize that the final days of their project may provide them with the hardest and most important lesson of all.
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males.
No one knows Just Passing Through like Cyrus Sutton. And in the latest chapter of Cy's adventures, he's customized his van for experiencing life on the road. Through cutting, sanding, welding, and staining, he's transformed his old van into a unique camper that's been helping him traverse the Western side of North America to seek out good waves and good people. Reef is proud to partner with Cy on his new project, "Compassing," a film chronicling his recent van travels.
A short documentary about the successful Moscow production of the musical "Raggedy Ann: The Musical Adventure", also known as "Rag Dolly".
When New York based Tibetan artist Tenzing Rigdol's father passes away in exile with an unfulfilled wish to take his last breath in Tibet, Tenzing realizes that his father's dream to return home to his lost nation is shared by all exiles. Driven by this realization, the artist embarks on a mission to reunite the Tibetan land with its people, literally, through an art project that involves smuggling 20,000 kilograms of native Tibetan soil to India.
On June 4, 1944 Captain Daniel Gallery and his men of the U.S. Naval Task Force 22.3 did the nearly impossible - they captured a German U-boat. It was the first enemy vessel-of-war captured in battle on the high seas by the U.S. Navy since 1815. Climb aboard the historic U-505 and relive its journey from a powerhouse of the German fleet to a display at the Museum of Science and Industry in Chicago. Witness archival footage and rare interviews with both German and American crew members involved in the capture of the U-505. And view even rarer footage of Captains Daniel Gallery and Harold Lange, captain of the 505 at the time of its capture..
Step into our world, as we bring you a raw look at the talents of the next wave of riders and photographers. Come face to face with our diverse styles as we take on new lines and new places. ARRIVAL is all about what is happening now. Bringing viewers into the reality of a new generation of freeriders and racers.
The documentary portrays the acclaimed Song Festival conductor and music teacher Lydia Rahula. She has inspired the kids to love music for over five decades. However, her life's work is the Tallinn Boys' Choir. Besides vocal training, she has also raised generations of boys to be a gentleman. Thanks to her, many Estonian men are much better men. It's unbelievable that Lydia is in her seventies. She is extremely vital and full of energy. It is no problem for her even to have a football match with the boys. After all, age is nothing but a number, and she proves it. The film's culmination is the Estonian Song Festival in 2019, one of the largest choral events in the world, where Lydia is conducting the united boys' choirs.
After reconnecting with her biological family, a young woman travels to Iran, where she must navigate a world of unfamiliar customs and traditions.
Making-of documentary for Masao Adachi's "Prisoner/Terrorist"