Two segments make up this short film. The first portion called “The French” has two men taste testing some delicious wine, and the other, titled “The Gauls”, is of men playing rugby. This short by Werner Herzog is part of the “The French as Seen By…” series. It was initiated and sponsored by the newspaper Le Figaro, as part of the 1988 celebration of the tenth anniversary of its magazine section.

A philosophical flume ride through the physical, political and moral borders that inhibit the free movement of people and ideas. Mixing commentary, computer graphics, dramatizations, and investigative journalism, Borders probes the unsettling paradoxes behind immigration, drugs, Star Wars, and other topics.

A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

Anne-Laure Bonnel, a young director and mother of a French family, decides to accompany Alexander, a father of Ukrainian family, to the Donbass region of eastern Ukraine in a pro-Russian zone. At the heart of the war, she captures the terrible images of a deadly conflict and an unprecedented humanitarian disaster.

Ultimate refuge for the leftovers of the american dream, the motels in the United States houses a population of drifting humans who, from crisis to crisis – economic and personal – have been dispossessed of everything. Some of them lost it all. Some of them left it all. Some still have dreams. Some of them don’t remember well, sucked by daily survival. Everyone struggles with fragments of life that remain in this precarious nest. Portrait of a disenchanted America. Diving in its abyss.

Documentary about the history and the fabrication of Volkswagen.

Piet is gone tells the story of Piet Beentjes, who went missing on the isle of Texel in 1987. For 30 years, Toos Beentjes has desperately tried to uncover the truth behind the mysterious disappearance of her homosexual brother. In vain. The police saw no reason to investigate the case: 'Eventually, he’ll wash up. And if not, the tourists will find him.' The film is not a quest for Piet Beentjes, but tells the story of what happened before and after the disappearance. About the Kafkaesque world Toos entered after her brother disappeared. A world of routine, lackadaisical interest and a lame police investigation.

Deep in the Amazon rainforest, there is a mysterious tree that houses a lonely spirit that can lure small children into the forest where they will never be seen again. Two sisters play with a small spider, as if it was their long lost brother – a dance between captivity and protection. And a flock of vultures circle the sky, eagerly waiting for their next meal.

A 35 year old son, buries his 27 year old father.

Defective portraits from a remote Amazonian village exposes bleak memories of addiction, disease and abandonment.

In an abandoned town in the Peruvian Amazon, the narrator ruminates on the things he wishes he had the courage to tell his parents.

Artist Grayson Perry has been working behind the scenes at the British Museum to stage his most ambitious show yet: The Tomb of the Unknown Craftsman. Given free rein to choose whatever he wants from the Museum's vast collections, Perry has also produced some 25 new works of art, from his trademark ceramics to a working motorbike. Imagine follows Perry for more than two years as he creates his own imaginary civilisation at the heart of the British Museum.

A colourful trip back in time, as Debbie McGee hosts a 1970s-style dinner party.

A special live broadcast on both BBC and UTV, hosted by Eamonn Holmes, celebrating the best of Northern Ireland television over the past 60 years and marking the occasion of digital switchover.

At the age of 25, Hauge had an experience of God that changed both him and the whole of Norway. Through preaching, writing and publishing their own books, business start-ups, by hiring both the mentally and physically ill, and exalting the women as both preachers and business leaders. Hauge stood in the breeze for a Norway that did not fall into good soil with the State, which in turn brought life to the Convict Poster to prevent Hauge from spreading the message of equality for all. The price was high, but Hauge and his successors left indelible traces in modern Norway.