"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
On Christmas Eve, a lonely young boy, shut out from the shiny world of presents and holiday parties, peers into a candlelit window, where a gray-haired lady sits sadly at a bare table. Taking the last bit of bread and cheese from his pocket and adding wine, they share this meager Christmas dinner together. Preserved by the Academy Film Archive in 2012.
A symbolic reflection on issues of female sexuality, art and identity constructs.
In a Medieval castle, a marauder tries to kidnap the twin infant sons of the lord. He makes off with only one, whom he drops about a mile away. A pig rescues this baby, so one brother grows up high on the hog, the other down with the swine; one is lazy, his lost brother is industrious. Years later, when a neighboring prince declares war, the brother in the castle is too soft to fight. Through happenstance, the twins are united just before the final battle. Will the upper-class brother let his humble sibling lead the troops to certain defeat and death? Preserved by the Academy Film Archive.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Preserved by the Academy Film Archive in 2016.
A man visiting a museum sees the works of art come to life.
This animated short focuses on the lives of three eccentric people living on a farm in the Russian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
An animated comedy short from the 1920s. Preserved by the Academy Film Archive in 2008.
A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
Animated short film. Preserved by the Academy Film Archive in 2009.
An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul. Preserved by the Academy Film Archive in 2012.
What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision-control by Fischinger. It opens with an extremely happy image (a "creative hand" which subsequently returns from time to time) — with shading and movements which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte, in a somewhat joyless tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other surviving episodes, better to understand the spirit of the operation conceived by Louis Seel, designer emeritus and the inspiration of the project. Preserved by the Academy Film Archive in 2000.
An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.