A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

After getting out of prison, small-time crook Mardar stumbles upon a woman who looks exactly like his long-lost lover, who he attempted to kidnap 3 years ago.

Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.

Frank is an expert professional safecracker, specialized in high-profile diamond heists. He plans to use his ill-gotten income to retire from crime and build a nice life for himself complete with a home, wife and kids. To accelerate the process, he signs on with a top gangster for a big score.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

Five Girls Around the Neck, in 1967, set out to explore that critical age of adolescence when a person's character is formed for good or evil. Schorm examined a girl's problems of being giving too much. She tries to buy the goodwill of her less fortunate friends; her intentions are pure, but in the difficulty of communicating she learns envy and deceit, and must decide if she will submit to double dealing or steel her life against self-deception and mediocrity. In addition to the relationship between the girl and her friends, Schorm introduces a teenage romance and the broader relationship between the girl's parents - neatly tied together with segments of Weber's opera "Der Freischütz". He reveals himself as a skilled psychological director with a wide range of knowledge about people.

After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

The story of love, between a sturdy village boy and a gentle country girl, filmed with a movingly genuine charm.

In a high-tech world, three intertwined stories discuss identity, online intimacy and the allure of social networks.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

Four stories about Finnish life intersect. In the first one, drum artist Monkki Mähönen arrives for a renovation job at his old band mate's summer villa. Second story revolves around wannabe motorcycle gang and its leader Jouni who are being humiliated at a village shop. Thirdly in the 1960s, a star reporter Erkki "Likasanko" Sysimetsä starts writing a once in a lifetime story about the womanizing of Arvo Hakala, a pipe organ repair man. In the fourth story, a fantasy and sci-fi film director Kurt "Kurre" von Riikonen is looking for financing of his upcoming movie Excalibur IV with catastrophic consequences.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.

A visually experimental adaptation of the classic Frank Stockton short story.

Somewhere between the stars is a place that has gone missing. Hazel is a time traveler. Hat is a zealot. Lily is ghost. And something is always watching. Through the lens of five interconnecting stories, the secrets of the Rift are revealed.