A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

ART WAR is the story of young, creative Egyptians of the Arab Spring who, through the means of graffiti murals, rebellious music, art, and enlightenment, try to salvage their revolution from going under.

In Jerez de la Frontera, Spain, tradition, memory and folklore, walk the streets on the shoulders of a people who proudly displays a legacy rooted in their culture for centuries.

In 1906, the Arlberg Railway, which connects the Austrian cities of Innsbruck and Bludenz, is the only east-west mountain railway in Austria. This 340-second "ghost railroad ride" shows the view from the back of a train, though I'm not sure if it's heading east or west. This kind of film, in vogue at the time, is an intermediate form of short reality, which often showed a train engaging in a bend, and a feature documentary. Its editing is live, linear and temporal, and the cuts are very apparent. Indeed, the choices of where to place the cuts seem to have avoided the less populated stretches. There are plenty of buildings to see, even when the train is not at the station.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

A deeply felt personal story of Hanna Schygulla filmed in 2012 at a moment when she was moving back to Germany, to Berlin, having lived for twenty years in France.

This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site through the concrete and physical data visible on the ground perceived as a holed-out space mined by disappearance, in particular the buildings, which subsist as ruins. This film is less preoccupied with drawing lessons from history than fuelling the present with a history that, like a blinding mirror, is of the utmost concern.

How Did We Get Here? is a short-film that explores the significant events that took place in Nashville, TN during the chaotic year of 2020. Starting with the devastating tornadoes that came through the city in March, to the start of the COVID-19 pandemic, the resurgence of the Black Lives Matter movement and the bombing of 2nd Street on Christmas morning. ​ This documentary features interviews with a diverse cast of some essential voices from Nashville's community, including Dr. William Schaffner, Dr. James Hildreth, Mayor John Cooper, Councilwoman Zulfat Suara and more. Ultimately, this film highlights the resilience of a strong community and the people who make it special.

Together with their coach, the young members of a Munich boxing club are travelling to Ghana to hold training camp.

Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants and the nature that surrounds us. It’s a dive into the heart of matter, the essence of the vegetal world and the nourishing earth.

An intimate look into the lives of one of the most iconic folk-rock bands in America - the Indigo Girls. With never-before-seen archival and intimate vérité the film dives into the songwriting and storytelling of the music that transformed a generation.