Diantha Ebberly travels with her parents to the edge of the Sahara to meet her longtime betrothed, Herbert Medford, whom she has never seen. She is rescued from a swarm of beggars by an "Arab," then meets him again when she slips out at night in native dress. They fall in love, but Diantha is abducted by Sheik Amud, then returned safely home by the "Arab." The next morning Diantha discovers her fiancé and lover to be one and the same.
[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.
A young man raised in the American South discovers he is an Indian prince whose throne was taken by usurpers.
A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.
The Magic Flame (1927) is a feature film directed by Henry King, produced by Samuel Goldwyn, and based on the play Konig Harlekin by Rudolph Lothar. George Barnes was nominated at the 1st Academy Awards for Best Cinematography. The film promoted itself as the Romeo and Juliet of the circus upon its release.
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.
Only 8 surviving seconds of a man getting great pleasure from smoking a cigar.
To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.
Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.
Insecure Beatrice Ridley lets her jealousy of her husband get the better of her when he begins receiving letters each morning from the Honeysuckle Inn, a roadhouse frequented by sportsmen. Consulting young attorneys, Widgast and Pidgeon, she finds their wives also suspicious about the goings on at the Honeysuckle Inn. Madcap complications ensue when all the characters meet there before everything is straightened out for all three couples.
On the eve of her wedding Lady Kay Rutfield runs off aboard her sloop. A storm carries her out to sea and she is rescued by a passing rumrunner bound for the Long Island Sound. Once they arrive in the States, Kay makes her escape and hides in the deserted mansion of Jimmy Winter. Jimmy is due to marry the following day. He comes home to the mansion unexpectedly, and finds Kay, who persuades him to let her pose for a night as his wife.
A young woman, who is the daughter of a sea captain, falls in love with a man from a rich family who does not approve of her.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
Clytie Whitmore (Viola Dana) finally consents to marry Cadbury Todd (Gerald Pring), but while walking down the aisle she runs out of the church and into the passing car of Ken Pauling (Bryant Washburn), a well-known jazz musician. Shortly after returning home, Clytie escapes from her locked room and goes to Pennetti's roadhouse, where Ken is appearing, closely pursued by gossip columnist Hamilton Peeke (Leon Barry). She dances in the show in place of Sonora, then escapes with Ken when the roadhouse is raided. They elope but eventually her family accepts the couple.
Young William Burroughs comes from wealth but not nobility, so despite his income he is not welcomed when he pursues Lady Elizabeth Galton, and indeed he is not only beaten by her cousin but thrown out by his own father for the disgrace he has caused. He travels to the United States where he becomes a champion prizefighter. Upon his return to England, he finds circumstances quite changed for Lady Galton and he sets out to change her circumstances further.
The famous black cowboy Bill Pickett shows his prowess in rodeos. Only small parts of the film survive.