In a society where the greatest concern is the size and power of one’s wings, nihilist Ciobeck tries to protect Moann. But how can one survive in a barren land populated by imprisoned-mind people?

Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.

Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.

On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.

On her birthday, Juliette is too upset to worry about the strange cleaner who imitates her every move and lusts after her clothing.

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

This film focuses on an aging starlette (Silvia Perez) was once an it-girl. She returns to her hometown for her niece's birthday party and has to deal with her conservative family who does not agree with her chosen lifestyle.

Pepperminta is an anarchist of the imagination. She lives in a futuristic rainbow villa and according to her own rules. Colors are the young woman's best friends and strawberries are her pets. She knows the most amazing remedies to free people of their fears. Pepperminta's wish is for everyone to see the world in her favorite colors. Werwen, a young plump and shy man yet whose sex appeal Pepperminta finds highly attractive, and the beautiful Edna, who talks to tulips, join her on her passionate mission. These three musketeers of a different kind set out to fight for a more humane world. Wherever the gang appears, everything is turned upside down and people's lives are transformed in the most miraculous and wondrous of ways.

Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

Nackt is the story of three couples, one of which just broke up, one that seems to be about to and one perfectly okay. They are all friends and from time to time they gather to talk about everything.One time they gather for dinner at the second couple's "mansion" - the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships.At the dinner they get to talking about recognizing each other's peer with closed eyes and decide to try it (thus the title "Nackt"=naked in German).

Anna is nervous when she and her son, Tomas, arrive in the small, close-knit community of Igloolik, in the Canadian Arctic.

Berlin 1808. A young, immature student who considers himself a poet, August Varnhagen, enters the famous salon of Rahel Levin, one of the first assimilated Jewish women of the Romantic period. He has heard of this woman who was praised by all for her wit and wisdom and he comes because he seeks connection and relations and in this salon the most famous men of the time crowded.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

Twenty year old Lynn studies Psychology in Amsterdam. Now that she is living on her own, she is re-shaping her live and developing her own identity. This makes her extremely self-conscious. She is constantly thinking on how she is seen by other people, what people may think of her, what she should and shouldn't do. Her self-consciousness gets in the way.

When the fifteen year old Zara knocks on her teacher Gijs' door, she's just been abused and she has no one else to turn to. At least, that's what she tells her teacher. Gijs can't send her back to her home, but soon he regrets his decision. As the evening progresses, Zara spins a web of lies and deception around him.

Onder de tafel is a melancholic father-son tale which starts when Jacob hears that his father Kees has started drinking again. He needs to be picked up at the clinic where he is treated for alcoholism. Jacob takes his father to a bungalow park hoping to be able to connect with him at a place where they used to be a happy family. Kees does not recognize his son and the first chance he gets, he grabs a can of beer. Jacob realises that the only chance he has of reconnecting with his dad, is to drink together. And so they do.