Joe Corré, son of punk visionaries Vivienne Westwood and Malcolm McLaren, burns an estimated £5M worth of punk memorabilia protesting the commodification of punk. The film takes this incendiary act of ‘cultural terrorism’ and the questions it raised to explore the lifespan and true worth of punk - the 20th century's most volatile movement.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Originally aired as part of the Arena series, this BBC biography of Poly Styrene of X-Ray Spex. She is one of the first black women singer-songwriters in the early New Wave/Punk scene.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

Documentary on the shock rock group "The Mentors".

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.

Lou Reed was wise to chronicle a concert by his early-'80s band, featuring lead guitarist Robert Quine and bassist Fernando Saunders. Reed had used them on his trilogy of strong albums -- The Blue Mask, Legendary Hearts, and New Sensations -- released between 1982 and 1984. This 52-minute video, shot at the Capitol Theater in Passaic, NJ, in 1984, is a straightforward, no-frills live show. Reed, in black T-shirt and black leather pants, stands on-stage before a cityscape background and makes his way through a set that features both a selection of Velvet Underground songs, and his sole hit single, "Walk on the Wild Side," plus highlights from his three recent albums, notably such songs as "I Love You Suzanne." As such, the video makes a good Lou Reed career sampler.

A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

Solo live concert recorded in Brussels, April 12, 1992. Tracks: 1) On A Wedding Anniversary 2) Lie Still, Sleep Becalmed 3) Do Not Go Gentle Into That Good Night 4) The Soul of Carmen Miranda 5) Cordoba 6) Ship Of Fools 7) Leaving It Up To You 8) The Ballad Of Cable Hogue 9) Chinese Envoy 10) Fear Is A Man's Best Friend 11) Dying On The Vine 12) Heartbreak Hotel 13) Paris 1919 14) (I Keep A) Close Watch 15) Hallelujah

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

An archival biography film about the early career of Deborah Harry told entirely through press interviews where she endures superficial, tedious, and demeaning questions from journalists.

PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

Featuring over 30 interviews with members from bands such as Nomeansno, Dayglo Abortions, Neos, Show Business Giants, Red Tide, Infamous Scientists and many more, Somewhere to Go is a gritty and raw documentary film that does not simply focus on the past phenomenon of punk in Victoria BC but aims to explore the timeless themes of rebellion, ‘art for art’s sake’ and the integral role of music to culture, community and identity.

This previously unreleased, 35-minute documentary film that takes you deep into the bowels of Winnipeg's punk and hardcore underground circa the mid-2000s. "The Manitoba Connection" provides a rare, lightning-in-a-bottle snapshot of DIY subculture as it is on the Canadian Prairie, marked by geographical isolation, brutal winters, and a history of working-class politics.

Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.