Wendy Tilby's Tables of Content was her graduation film from the Emily Carr College of Art and Design, Vancouver in 1986. The movie transports one into another era, an earlier age of gentility and reticence, set in a rather stuffy restaurant during the day.

Short directed by Lotte Reiniger.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

A woman ponders over the strange coincidences that made her forefathers and -mothers meet and create the premises for her becoming the person that she is.

When Pia plays a mysterious vinyl record single, she suddenly knows how to travel through her own life. Made in collaboration with the Netherlands Film Fund, Pathé and SNS Reaal Fonds.

A man leads a monotone, humdrum existence until he meets somebody.

MUTE is an animated short about a world populated by people born without a mouth. When a gory accident leads to the discovery they are able to create their own mouth by cutting themselves, this releases an enthusiastic chain reaction among the population…

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

While we watch the ‘cat fail’ of the day in cheerful safety, all that remains invisible in this neoliberal nightmare catches up with us. The cat’s body is consumed, exploited and controlled. The fear of pain is greater than the will for freedom. Objects are fetishized and subjects are made into things – quantifiable and ready for use. They are the natural commodity for a luxury they are not even aware of. We are here, because you were there – and waste is disposed of in the sea. In the end, the bodies reveal the causes and effects of power, lust and hate.

A seven-year-old girl longs for a bicycle so that she can be more like the other kids in her Norwegian town, but her embarrassingly unconventional, modernist architect parents see things differently. Academy Award-winning animator Torill Kove weaves memory and fantasy together in this droll and charming look at the pain of childhood alienation.

This animated short is a tragic and twisted story about the dangers of revenge. A cruel mother mistreats her son, feeding him dog meat and forcing him to sleep in the cold. A loon, who tells the boy that his mother blinded him, helps the child regain his eyesight. Then the boy seeks revenge, releasing his mother’s lifeline as she harpoons a whale and watching her drown. Based on a portion of the epic Inuit legend “The Blind Boy and the Loon.”

Patrick Haggerty grew up the son of a dairy farmer in rural Dry Creek, Washington, during the 1950s. As a teenager, Pat began to understand he was gay—something he thought he was hiding well. But one day, after performing at a school assembly, Pat learned that his father could see him much more clearly than he realized.

A tragic comedy of a sweet little girl, who grows up to be a crazy old cat lady.

A man and a woman lead a complicated love life, filled with erotic tension and despotic passion. Their son is an involuntary witness to all this, cooped up despondently in his room banging his head against the wall. To get away from the situation, he escapes into a virtual world. But when the man finds himself inopportunely stuck out on the balcony of the apartment, a burglar gets into the building. At the same time, in a neighbouring apartment, spies are getting ready to listen in on a group of scientists.

Odd is terrified of his head, until one day he falls in love with Gunn who is both fearless and happy in life. Odd's life is turned upside down and he is freed from his worries in the most unexpected way.

Blackout is a short, animated documentary about the 2003 power failure in much of the eastern seaboard of the U.S and Canada for up to 4 days.

What if, instead of bombs, we dropped watermelons? Dreamy and hopeful, this animated short sweeps us up into a colourful world where layers of reality and creativity intersect. Our protagonist navigates through it all seamlessly, and in the process shows us the importance of imagination.

Lou suffers from social anxiety and longs for acceptance and belonging. As he tries to fight his insecurities and integrate, his body becomes a manifesto of his inner conflicts.

Coney Island in the day, at night and during all the seasons of the year.

This short animation features four guests of curious demeanour who commit unforgivable acts at the dining table. Food flies everywhere while the guests prop their feet up and talk with their mouths full. Thankfully, Lady Fishbourne’s eating etiquette instructions will show these dinner party misfits the error of their ways.