A seemingly harmless party game leads to a horrifying spiral into madness, violence, and cosmic horror.

The Crabe-Phare is a legendary crustacean. He captures the lost sailors' boats to add them to his collection. But the crab is getting old, and it is more and more difficult for him to build his collection.

Samantha, a little girl growing up in the sixties, loves classic b-movies and monsters - That is, until they start to invade her bedroom and her obssession compels her parents to seek help from the latest scientific breakthrough

From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.

A woman sees the ceiling of her apartment begin to inexorably close in. She tries to escape, but her front door locks and her window is too high to jump. Panic ensues.

A short Estonian animation about a man's desire to fly.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

On a tabletop mountain a mahout and his strange herd make a surprising and never-ending journey.

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

Stacey is an executive in a cosmetic and fashion company. Expecting a big promotion and crushed when her roommate, Lisa gets it instead, Stacey plans her revenge. Unknown to her boss and her fellow co-worker, Robin, Stacey has developed a shrinking ray with the help of Dr. Baines. She confronts Lisa first, shrinks her down to bite size and devours her. To eliminating any witnesses, Stacey eats Dr. Baines and then turns her attention to Robin and her boss, Trish. Each of them is reduced in size and then EATEN ALIVE!

A Japanese man mysteriously wakes up inside of his phone and is forced to confront the destruction his addiction to technology has wreaked on his life.

our short stories interlaced to create a surreal world of absurdity, in which characters try to find connections in the mundane.

The story of a whimsical friendship between a very depressed man and a talking donut named Craig.

The encounter between a witch and a theist provokes uncomfortable sensations and brings out all that a young man feared but desired to be. He's lost in CRYE!

Filmed only a few months after Tatsumi Hijikata’s first explosive public butoh performance, “Gisei” features Hijikata and members of his Asbestos Hall Troupe in a brutal allegory of a closed society. Shot by noted Japanese film scholar Donald Richie, “Gisei” still conveys the shock that Japanese audiences in 1959 must have felt at the birth of Hijikata's ankoku butoh, or "dance of darkness". Richie met Hijikata through mutual friend Yukio Mishima. They decided to collaborate on a film about segregation. Richie memorialized the film in his diary: “It is more than ever about the death of an individual, a distinct kind of human sacrifice.”

A woman answers a knocking at her door. Inspired by the short "Peephole".

A man dying of thirst descends further down a labyrinth consisting of nightmarish Bosch-esque creatures.

A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.

A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.

The arrival of Gabriel, a new priest to the town of Pátzcuaro, triggers a series of disappearances. Julián, a young blind man, is involved after suspecting the true nature of this being.