6B is the anthology feature film of five Hawaii filmmakers. Each of the four stories revolve around rooms with the number 6B and the film examines the darker side of island life: a man struggling with drug addiction has a revelation about his identity; an ex-con must enter an underground poker game to reunite with his daughter; a young woman befriends her neighbor, a former hit man; and a local family deals with an impending tsunami. 6B features an all-Hawaii cast, crew, and production.

Film reconstruction of five real stories about the heroic deeds of the residents of Kyiv region during the Russian occupation. A story about those who heroically and selflessly saved tens of thousands of Ukrainian lives.

Basements is the title for the omnibus film that brings together two plays by Harold Pinter – The Dumb Waiter and The Room – each, once again, set in a single location.

Min-sang, a meticulous planner and tidy single man, is frustrated daily by his tenant, Jin-young, a veterinarian who turns his newly mortgaged building into a mess. During another quarrelsome day with Jin-young, Min-sang encounters an elderly lady at the animal hospital, who turns out to be the world-renowned architect Min-seo. Desperate for Min-seo's approval for an ongoing project, Min-sang starts to persuade Jin-young and her cared-for puppy to impress Min-seo. Meanwhile, Hyun, the leader of a small band, is left bewildered while looking after his absent girlfriend's dog, especially when her ex-boyfriend Daniel shows up unexpectedly, demanding to see the dog, claiming he used to raise it together and insisting on visiting the dog once a month...

Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.

An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

An anthology of four stories that sheds light on modern relationships from the viewpoint of the Indian woman.

Three short stories ("Zelenáči 1945", "Silvestr 1948" and "Zimní vítr 1951") about members of the SNB units guarding the Šumava border in the post-war years. Ivo Toman had artistic supervision over the debutants. The theme of the third short story was made in 1959 for the film "Entry Forbidden" by František Vláčil, who was also starting at the time.

An anthology of three short films by Kim Jeong-in, Jung So-young, and Hwang Seul-gi. It uses food and people to capture the warmth of everyday life that everyone can relate to.

Old lovers reunite, a friendship is betrayed, a pet is killed, a runaway discovered, and a co-worker comes back from the dead in these five interconnected tales about suffering from kindness. Shot over five-years worth of weekends featuring a massive cast and crew, this ambitious, feature-length, no-budget indie shows a side of Maine not seen anywhere else (no lobstermen here, sorry) and finds bleak comedy in a backwater state being dragged into a diverse and inclusive 21st century.

While directing an anthology of short films through different regions of Colombia Helena and her director of photography, encounter through intense creative differences.

Featuring five short stories of the reflections, interpretations and perspectives as our Singaporean filmmakers go on a journey in search of their cultural roots and how they make Singapore home, the omnibus seamlessly weaves the past and present as generations seek to understand, appreciate, preserve and pass on our heritage.

An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.

An anthology that depicts different aspects of Lebanon’s recent turbulence and the toll taken by the country’s disarray on its new generations.

Two women struggle to talk about their roots: one a daughter with her father, the other a teacher with her students.

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

“4Love” is a compilation of four stories revolving around love. In the first story, two young adults come into contact through a book while the second story revolves around the obstacles a man encounters on the day he intends to propose to his girlfriend. The third story revolves around the consequences of a married woman’s infidelity while in the last story, a couple decide to give their marriage a second chance after an encounter with a loving elderly couple.