This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.
From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.
Fear and Loathing on the Road to Hollywood, also known as Fear and Loathing in Gonzovision, is a documentary film produced by BBC in 1978 on the subject of Hunter S. Thompson, directed by Nigel Finch. The road trip/film pairs Thompson with Finch's fellow Briton the illustrator Ralph Steadman. The party travel to Hollywood via Death Valley and Barstow from Las Vegas, scene of the pair's 1971 collaboration. It contains interviews with Thompson and Steadman, as well as some short excerpts from some of his work.
Christine is a pasty-faced teen in a windbreaker and ill-fitting striped shirt who walks endlessly from one friend's house to another, delivering heroin while their parents are absent.
A teenaged drug addict is sent to Dr. Royce's controversial drug intervention program where the addicts in the program confront each other in supervised group meetings. Also, in evening meetings, the addicts are confronted by their families. The girl's parents want to remove her from the program because it upsets them that their daughter is being forced to associate with addicts who admit to stealing and trading sex for drugs.
Educational film about drug addiction.
This documentary by Leo Regan follows the life of his friend, photographer Lanre Fehintola, as he becomes part of the hard drug scene through researching it for his book ("Charlie Says: Don't Get High On Your Own Supply"). It shows Lanre as he becomes a character in his own book through his heroin addiction.
Leo Regan follows his friend, photographer Lanre Fehintola, as he tries to go cold turkey (detox) from heroin in his council flat and without medication.
An educational video exploring drug addiction, including footage of real-life addicts going through rehab therapy.
An original and compelling documentary depicting one father’s long-term struggle with heroin addiction told through the uniquely intimate perspective of his own son. After years of acrimony and estrangement, young filmmaker Phillip Wood seeks out his father to try and understand what’s happened to him. But his father is now seriously ill and over the next few months Phillip’s visits force both to confront some uncomfortable truths about their past. This documentary offers a strikingly stark exploration of a subject that significantly affected the filmmaker's childhood. An intimate, revealing documentary that shows addiction from a different side and challenges assumptions about how families can rebuild their broken relationships.
A warm story about the fight for a decent life. Deals with teenagers having problems with alcohol and drugs.
The personal and social tragedy of drug addiction with its evil accompaniment, drug traffic. Over the side of the silent liner in the darkness slips the package of smuggled narcotics, introducing us to the complex problem which involves all races and classes of man. We see many aspects of addiction - the addict preparing an injection, a group waiting tensely for their dope peddler; agents preparing and adulterating the illegal product; the police catching a pusher red-handed. International and national authorities are working from two angles - suppression of the illicit traffic; and where possible, rehabilitation of the addict.
Early "shockumentary", apparently shot in Egypt, which documents the habits of opium addicts. The interiors of drug dens are shown, and at the conclusion the film an addict is shown collapsing on a sand dune; the booming voice of the narrator informs us that the addict has perished. Footage used is from the silent film Dope Fiends.
Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.
The film, set almost entirely in New York, tells of the life of some young people of the late Sixties: of the use they make of various drugs, including the terrible LSD, of their sex life and their freedom of costume and thought.
Drugs in the Tenderloin is a documentary shot guerilla style by Robert Zagone in 1966; It captures the Tenderloin as it transformed into a center for young queers and drug users.
Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.
An educational film sponsored and distributed by the Los Angeles-based Narcotic Educational Foundation of America and directed by Gilbert Lasky with financial assistance of the Woman’s Relief Corps targets teachers as well as junior and senior high school students in the war on drugs. Narcotics are classified and effects of opiates, stimulants, and barbiturates are summarized and dramatized