An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.
A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit. In order to clear their name, and regain their status, the Bellas take on a seemingly impossible task: winning an international competition no American team has ever won. In order to accomplish this monumental task, they need to strengthen the bonds of friendship and sisterhood and blow away the competition with their amazing aca-magic! With all new friends and old rivals tagging along for the trip, the Bellas can hopefully accomplish their dreams.
A feisty young woman returns to Glasgow to run her deceased father's curry house.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
Georgia Nicolson is fourteen, lives with nosey parents who don't understand her, an annoying three year old sister and has to wear a beret to school. She would, however, rather be blonde, have a smaller nose and a boyfriend. Revolving around her hilarious journal entries, prepare to be engulfed in the world of the soaring joys and bottomless angst of being a teenager.
A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.
'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".
The Griswalds win a vacation to Europe on a game show, and so pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don't know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language.
A student gets his senses enhanced by an experimental drug. But abuse is not an option.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Maggie Peyton, the new owner of Number 53 - the free-wheelin' Volkswagen bug with a mind of its own - puts the car through its paces on the road to becoming a NASCAR competitor.
A small group of friends experience relationships which grow and stumble, involving everything from straight, gay, lesbian, and bisexual relationships. The speed with which these relationships last leads to the Goldfish memory effect, the belief that a Goldfish only has a 3 second memory is a metaphor for the transient nature of the characters relationships.
In Philadelphia for the weekend, Tessa and Ben, a couple on the rocks, rent a room in the apartment of Adam, a reclusive stranger who quickly becomes an unwilling voyeur to the most private parts of the couple’s life. Tensions rise as the three enter an intimate battle to gain and reclaim territory.
Three generations of women in a Mexican American family experience sexual awakenings over the course of a summer.
As fanged, furious furballs viciously invade an L.A. apartment building and sink their teeth into the low-rent tenants, Josh leads the battle to beat back the conniving critters and save the planet.
Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.
A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.
Boris and his family are preparing to leave his hypochondriac parents and their impossibly tiny Belgrade flat for a long-awaited new life in Canada. However, his 10-year-old daughter Ljubica has entered a contest that is about to subvert everyone’s plans.
A behind-the-scenes look at Astrid von Star's unfinished, untitled, avant-garde masterpiece which reveals her many kept secrets of love and loss. Once a top Hollywood film critic, Astrid (Rena Riffel) rebels to create a self-portrait on digital media with the help of her only surviving ex-husband (Greg Heath). She expresses her bohemian spirit while her psyche unravels in front of the camera.