Fictional Documentary. A dancer in one of the paintings by Edgar Degas one day stepped out of the canvas, conquers the world and disappears during the carnival in Rio; mix of the academic universe, avant-gard art and the underworld sex scene. The movie was shot in Paris, NY and RJ.
In a hidden place, the daily routine of a retirement home unfolds as time seems to stand still. The penciled residents come to life on paper. Some are active, others rest or follow a fixed schedule that repeats each day: medication, meals, games… Around them, machines are flashing, caregivers are busy and crucifixes remind them of the death that lies in wait. Time fades away and a forest stretches out nearby.
The incredible true story of nature’s greatest explorers—lemurs. Through footage captured with IMAX 3D, audiences go on a spectacular journey to the remote and wondrous world of Madagascar. Join trailblazing scientist Patricia Wright on her lifelong mission to help these strange and adorable creatures survive in the modern world.
Ang, a transgender sex worker with a pretty, feminine voice is assigned a special mission as an undercover spy. She disguises herself as a cisgender man to enter into a romantic relationship with Jit, a belligerent yet idealistic student activist with an evil voice.
Ivan has an appointment with a psychologist for his first session.
It’s 1994 and there’s no Internet. So 14-year-old Jack Hoffman sets off on a quest to find and retrieve a stash of gay porn from across town before anyone finds out.
This is a student film made while Adam Bertocci was enrolled at Northwestern University, but compared to many other student films I have seen, it is head and shoulders better. It has excellent writing, direction and a professional quality about it you might not normally expect--plus the film is cute as can be with a really clever story. However, given that I have seen another of Adam Bertocci's excellent short films, LOVE: THE MOVIE, I actually was expecting something special--as LOVE was a heck of a fresh and entertaining film as well. Both films, it turns out, have already received awards and I certainly am not surprised. In fact, I can't wait until Bertocci "turns pro" so to speak--in other words, moves to Hollywood and makes a bazillion bucks making more nice little films--but with bigger budgets. Keep an eye out for this guy.
The Bonzo Dog Band freak out at the farm and strange sounds abound.
Two unusual people make contact in German at a London coffee house.
A gay man's nightmare about aging. Constantly dancing between reality and fantasy, this fever dream has the punch of a heart attack and the heart of a punch.
A short documentary with funk, fashion and noise, with intimate stories from students and artisans from New Zealand and India pursuing a responsible fashion future.
Drug store soda jerk Bert is a true-crime buff who revels in detective magazines. But he doesn't recognize the notorious gangster he waits on, smiling Memphis Mike.
The original theatrical trailer for the fictional suspense thriller "Call To Forehead".
Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.
The odyssey of the Mayice designers, who had to face to bring an impossible-to-manufacture piece to the Rossana Orlandi gallery, in Milan, in time to be exhibited at the Salone.
The stories of four Iranian families who emigrate to Canada and the city they leave behind. As departure time approaches, social spaces become places of memory, fading into the distance.
A darkly comedic look at a couple who must defuse a bomb in their apartment.
Impressionist portrait of a landscape forged by tragedy. A ghostly wanderer among the vestiges of a story where 44 young soldiers and a sergeant were pushed to their deaths
The film uses a collection of post-World War II black & white photographs to portray the dockworkers of Marseilles, many of whom were of African descent. Set in and around a 1947 strike protesting weapons shipments to the French in Indochina, the images evoke the life and work of Senegalese filmmaker, Ousmane Sembène, a former dockworker, and one of the founding figures of the New African Cinema of the 1960s.