A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.
Once upon a time... consumer goods were built to last. Then, in the 1920’s, a group of businessmen realized that the longer their product lasted, the less money they made, thus Planned Obsolescence was born, and manufacturers have been engineering products to fail ever since. Combining investigative research and rare archive footage with analysis by those working on ways to save both the economy and the environment, this documentary charts the creation of ‘engineering to fail’, its rise to prominence and its recent fall from grace.
On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism
Melting glaciers, gullied seas, the financial markets are about to collapse. Spectacular images of how growth continues to be blinding. Outside you can hardly see anything because of the smog and the smoke screen.
With breathtaking clarity, renowned University of Massachusetts Economics Professor Richard Wolff breaks down the root causes of today's economic crisis, showing how it was decades in the making and in fact reflects seismic failures within the structures of American-style capitalism itself. Wolff traces the source of the economic crisis to the 1970s, when wages began to stagnate and American workers were forced into a dysfunctional spiral of borrowing and debt that ultimately exploded in the mortgage meltdown. By placing the crisis within this larger historical and systemic frame, Wolff argues convincingly that the proposed government "bailouts," stimulus packages, and calls for increased market regulation will not be enough to address the real causes of the crisis, in the end suggesting that far more fundamental change will be necessary to avoid future catastrophes.
Culled mostly from archival footage, this thought-provoking first volume of the Hidden Agenda series relays the little-known history of an elite group of power brokers who wield considerable influence over world affairs. Tracking the growth of the world's largest banking dynasties through the eyes of a conspiracy theorist, the program maintains that the true motivation behind their activities is to control the world itself.
When Jan Peters' girlfriend accidentally takes his wallet on a trip to foreign climes, she leaves the filmmaker standing in Frankfurt Airport without a penny to his name. The only capital he possesses is a group ticket for the public transport system. After hearing about people who supplement their inadequate incomes by 'escorting' groups of tourists across the city, Mr Peters decides to apply the same method to his own situation. The filmmaker starts a business as an 'independent travel escort' and enters an obscure world of supplementary jobs and adventurous business models.
Chapter 11 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1950 and 1954 Narrates the period of the history of Mexico from 1950 to 1954, marked by capitalism and exploitation of native peoples.
The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.
Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.
Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.
Enter a world where pandemonium reigns and reckless ambition rules: the trading floors in the financial canyons of downtown Chicago. Here, men use strange hand signals to buy and sell everything from pork belly to soybeans while wearing the weight of our complex economy on their shoulders - along with their neon jackets. It's a physical, bruising place, one where a slight gain creates heroes, rich beyond what their high school educations should ever afford. But the wrong move on the wrong day can ruin lives. At a time when millions have lost fortunes in the fickle stock market and fear abounds about the faltering financial system, FLOORED is a gripping, honest look behind the curtain of the trading floor that few have ever seen
Behind the fluffy towels and crisp white sheets of Berlin's finest hotels is a tale of seemingly brilliant entrepreneurship: A company takes the dirty laundry of German hotels to Poland - and brings it back clean the very next day. Outside of Germany, labor is cheaper and regulations are less constricting. But over and beyond this fascinating capital venture there remains the harsh reality of the everyday life of the hard-working Polish laundrywomen, through whose hands the white sheets pass. While Beata struggles to raise her three children on her meager salary, Monika reminisces about her unrealized childhood dreams of becoming a doctor, and is compelled to watch her teenage daughter Marta gradually follow in her footsteps.
This is a story that’s never been told. SHOW HER THE MONEY addresses how women are getting less than 2% of venture capital funding and demystifies what venture capital is. Featuring rock-star female investors who invest in diverse women entrepreneurs with innovations that will change the world, Show Her The Money reminds us that money is power and women need it to achieve true equality.
The Netherlands, a bastion of capitalism, has struggled with unprecedented housing crises since 2018. This brings a rise of different ideologies that challenge the dominant status quo. In the city of Nijmegen, an anarchist collective JAN10 battles the ongoing housing crisis by squatting empty buildings, which poses a threat to the established capitalist interests.
This documentary focuses mostly on the 1930’s to 1950’s – arguably the most important period in modern American history. These decades included the Great Depression, the peak of labor militancy in 1937 (probably the closest the US has come to a popular revolution since 1787), the rise of the “guest worker” phenomenon, the counter-attack against labor unions, the creation of the military industrial complex, the rise of the FBI, the foundations of the civil rights movement, and the purging of radicals from organized labor and public life.
JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.