A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Stranded on Mars with only a monkey as a companion, an astronaut must figure out how to find oxygen, water, and food and companionship on the lifeless planet.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
Popeye and Olive are touring a museum when they accidentally launch a rocketship to Mars. Olive escapes, but Popeye gets to Mars, where he is attacked (by a group led by Bluto) that was preparing to invade Earth. Fortunately, Popeye has a can of spinach handy, so he can save the Earth (turning most of the Martian war apparatus into amusement park rides).
Araki Mataemon was a very strong warrior, and his feud against the samurai Kawai Matagorō is one of the most famous in Japan. Matagoro killed Gendayu, the little brother of Mataemon's brother in law, Watanabe Kazuma. Becoming a murderer out of jealousy for a childhood friend, Matagoro fled in another domain, using friends of his father and his lineage linked to Tokugawa Ieyasu. It was somehow a complicated matter, as it seems at that time, a law from Toyotomi Hideyoshi allowed a little brother taking revenge for his elder brother, but not the reverse. After some years, the lord of Kazuma and Mataemon found a way, and they were allowed to take revenge for the murder. They fought and killed Matagoro and just one other samurai who was helping the culprit. It seems at that time, Kazuma was Mataemon's only assistant.
The Star Prince has fallen to Earth and because of his cruelty towards a beggar, he is turned into a grotesque pauper. He goes on a quest to find his mother, meeting a wicked witch and princess on his way. He falls in love with the princess, but an evil dwarf tries to force the princess to marry him. The Star Prince rescues the princess and is thus turned back into his original form and marries the beautiful princess.
This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel
Doctor Lambert takes his wife west to a mining town, where he can both minister and doctor. His wife is not happy and upon discovering she is pregnant, runs away with a gambler. He soon dumps her, and she comes back and dies giving birth to a baby girl. Lambert, out of his mind with rage, leaves the baby on a doorstep and vows to never have faith again. He returns to the mining town fifteen years later a drunkard. He meets young, kind Lily Sawyer and is greatly impressed by her compassionate nature. Meanwhile, the gambler has returned and decides to abduct Lily, but his partner recognizes Lambert and tells him Lily is his daughter. He kills the gambler before he can harm Lily and soon his faith returns.
A terrible mistake puts two best friends on a quest to reinvent themselves and overcome personal barriers to pursue their long forgotten dreams, right before the pandemic hits.
A Yakuza hitman travels to North America for his 27th job, only to find lingering memories of lost love through a chance encounter with a beautiful prostitute.
The first film featuring Mildred Davis
Unrequited love rules the day as both wealthy Judith Sylvester and her invalid aunt pine for men who got away, but happiness lays ahead for one while hopeful dreams sustain the other.
Sister Angelika has the power of life or death over her former tormentor, now sick and placed in her care.
Temporary Marriage is a 1923 American silent drama film directed by Lambert Hillyer and starring Kenneth Harlan, Mildred Davis, and Myrtle Stedman.
Told through a single window-frame in Lebanon, the history of two generations unfold. Family dynamics take place, in a means all too familiar to make one wonder: will they repeat their own history?