In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.

Max is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Eventually Max is placed in a concentration camp where he pretends to be Jewish because in the eyes of the Nazis, gays are the lowest form of human being. But it takes a relationship with an openly gay prisoner to teach Max that without the love of another, life is not worth living.

Ibsen's play, adapted to Australia, concerns a couple forced to answer for their daughter's legitimacy.

A young man leads a promiscuous lifestyle until several life reversals make him rethink his purposes and goals in life.

Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.

Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.

Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.

In Leningrad, at the end of the White Nights, young and childishly naive Nina meets a young journalist Valery. She falls in love with that genuine first love, which is only possible when you're 19 years old. She does not suspect that for such an ambitious aesthetic as Valerik, this is just another episode in an endless celebration of life. The leitmotif of the film, which became a cultural landmark for several generations of people born in Leningrad - St. Petersburg, is the natural scenery of the beautiful city on the Neva river at the beginning of the sixties.

Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.

Rachel becomes the leading actress in the Comédie Française through the patronage of three influential men: Baron Hartman, the wealthiest man in France; Count Vareski, a relative of Napoleon; and Dr. Durande. All three men are in love with her, but she throws them over when she falls in love with Raoul Duval....

Romantic drama directed by Dimitri Buchowetzki.

A story of a woman who committed a murder. In a French court room her life is retold by long flashbacks of her testimony and life.

An orphan falls for the son of her benefactor, and decides to poison her rival for his affections.