The Supermarket is a short film by Ezra Baker from 1964 about the chaotic and often humorous day to day operation of a supermarket.
Touch not the Outsiders, lest ye become an Outsider. But when two creatures belonging to opposite kinds - a lost little girl from the Inside and a demonic beast-looking Outsider - initiate an impossible coexistence on the same side of the forest, their bond seems to transcend their incompatible natures and the unnamed curse that has divided the world.
An extraordinary portrait of madness and inner turmoil, conveyed through mesmeric images of dreamlike intensity. Mixing found footage, medical macro shots and multiple film-gauges, the visual texture is as distressed and tormented as the film's subject (beautifully played by Katarzyna Bargiełowska). The haunting soundtrack, by 4AD staples Dead Can Dance, brings to mind the sleeve art of 23 Envelope founders Vaughan Oliver and Nigel Grierson, whose distinctive visual language is echoed in Krakatau's expressive imagery.
An account of the most important event in recorded history.
A high school student girl named Duru gets ready for the Turkish university exam, but things don't go as planned as she gets forced to deal with a sad reality.
Younghee visits her boyfriend, Chulsoo who lives on Ulleung Island, in order to bid him farewell. However, she gets stuck on the island due to a sudden windstorm alert. Younghee should have an awkward and troubled day with Chulsoo. An unexpected companion that begins with an unannounced declaration of separation details their funny and mournful last day.
A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.
When his mom’s handsome friend unexpectedly shows up in the village, Ashish, a teenage boy living in a remote area of Himachal Pradesh, is swept in a whirlwind of desire and vivid fantasy. As he struggles to rein in his strong impulses, he learns about “pashi”, an ancient technique of trapping birds, and begins to practice it.
"The Open Boat" is a tale of survival as a group of sailors are thrust into rough waters, where salvation lies on the horizon.
A girl named Ana (Jaime Passier-Armstrong) asks about a photo in a family album and gets an awkward brush off from her mum. When the family receives news of a tragic death, it's time for truth, and secrets from the past are revealed.
A visually experimental adaptation of the classic Frank Stockton short story.
Far in the future, a woman wakes up in an escape pod on the surface of an empty alien planet dotted with the remains of an ancient alien civilization. Faced with isolation and the threat of death from the toxic night air, she must travel across the barren landscape and find a way to send a message home. She copes with alternating emotions of hope and loneliness and encounters semblances of human presences that push and pull these feelings within her. All the while she is overshadowed by the immense monolith on the horizon, a leftover of the alien civilization that existed on the planet countless years before. Her journey transforms over time, evolving from a focus on her character in the face of impending death to a study of absence and presence, transience and endurance. Her journey towards the crash site and the giant monolith becomes a race against time as she seeks a way to leave her mark and not be forgotten.
Faced with their grandmother's dying wish, two brothers are tasked with stealing her dead dogs' ashes from her ex-husband, their grandfather, on his 80th birthday. This is dysfunctional even for them.
Portrait of the artist as a young man. If he had no hands and a dick for a nose.
A publicist is searching for the perfect catchphrase for a #Boxers commercial, while experiencing a Freudian slip and a series of cyber entanglements in his last chance to discover his soulmate.
The chaos on the streets of Vancouver that unfolded in the wake of the Canucks’ loss in the 2011 Stanley Cup Finals is revisited from dozens of perspectives.
Visual disturbances. Corrective surgery. Unsettling results.