A meditation on the time when the world watched as filmmaker Jonas Mekas' home country of Lithuania fought for independence. An immersion into the addictive grasp of the 24-hour news cycle, into a moment of major social upheaval, and into one very personal fixation of an obsessive chronicler. The film exists in a shortened, four-screen version as well as a one-screen, full-length document.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Documentary portrait of the filmmaker's aunt, and her memories of life in the Lower East Side in the early 20th century.
Documentary on the filmmaker's grandmother, Mabel Tilton, reflecting on her life as an independent woman.
Documentary about the era of the first doctor, William Hartnell. It includes the pilot version of An Unearthly Child that was never broadcast. Hosted by Sylvester McCoy
In January 2002, at the age of 46, Canadian Mark Gardiner gave up his job, home and life-savings for a chance to ride in the Isle of Man TT, the world's greatest and most dangerous motorcycle road race… One Man's Island is a documentary portrait of an obsessive quest to fulfill a boyhood dream. It is a human-interest story with universal appeal, not simply a film for motorcyclists. It examines the motivation, passion and risk associated with the quest. It chronicles first hand the events of the journey. It explores the question of why anyone would go racing. One Man's Island captures the experience of realising a dream.
A sport like football is primarily a passionate celebration, but one that is so massive (economically, politically and socially) that it, of course, also brings many problems. Olallo Rubio's third documentary (and fourth film in total), Ilusión Nacional, is a take on how the world's most popular sport relates to Mexican society and politics.
This documentary examines what historians know about the Bible's Old Testament account of the Plague of the Firstborn and about Egypt's Pharaoh, Rameses. Egyptologists discuss whether the pharaoh mentioned in the story is Rameses II or perhaps his eldest son.
This film was produced in 1969 by Oak Ridge National Laboratory for the United States Atomic Energy Commission to inform the public regarding the history, technology, and milestones of the Molten Salt Reactor Experiment (MSRE). Oak Ridge National Laboratory's Molten Salt Reactor Experiment was designed to assess the viability of liquid fuel reactor technologies for use in commercial power generation. It operated from January 1965 through December 1969, logging more than 13,000 hours at full power during its four-year run. The MSRE was designated a nuclear historic landmark in 1994.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
In this feature length season premiere of Mighty Car Mods, Marty and Moog are back doing what they do best - modifying a car on a budget in preparation for a special event.
A film about the Balkan metropolis during interwar period.
The film is based on true events, it tells the stories of two outstanding personalities of the 20th century – Sergei Eisenstein and Isaiah Berlin, who were both born and spent their childhood in Riga but soon had to leave the city. The film follows the lives of the two characters during the turbulent first half of the 20th century, telling how one of them becomes “the greatest film director of his generation” in the totalitarian Soviet Union, and the other “the greatest thinker of his generation” in liberal Great Britain.
After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.
Follow Bruce Springsteen during the making of his 18th studio album, 'High Hopes,' in this special. Rare behind-the-scenes footage and rehearsal segments are interspersed with exclusive E Street Band tour footage and revealing interviews with Springsteen and album collaborator Tom Morello, guitarist for Rage Against the Machine and Audioslave.
A documentary portrait of the city of Memleben in Saxony-Anhalt, counterpointing ancient medieval history and contemporary industrial reality.
Documentary on the city of Kyoto, Japan. Topics include the Ryoanji Temple stone garden, a geisha residence, the Katsura Imperial Villa, and the Gion Festival.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.