Founder of VICE Shane Smith spends an eternity on a train and hops out at the end of the line in Siberia to investigate logging camps that use North Korean slave labor.

A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.

This is a journey like no other, after several months of wrangling with North Korean authorities in Paris reporters Michaël Sztanke and Julien Alri obtained a visa for Pyongyang but as soon as they arrived the scene was set by a compulsory photo shoot. Journalists are kept under close surveillance and to go to North Korea is to accept the presence of guides who provide supervision 24 hours a day, their primary role is to protect the countries image. In North Korea’s eyes every foreigner is a potential enemy who must be closely watched, this being said Sztanke and Alri attempt to delve deeper into the inner workings of the hermit kingdom, discovering the real nature of this political regime and how life is for your everyday North Korean.

Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.

Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.

How is it possible that North Korea, one of the poorest countries on earth finances a nuclear weapons program large enough to challenge the USA? The answer: Bureau 39, a legendary organization nestled deep inside the government apparatus. Its aim is to procure foreign exchange by any means possible to provide Kim Jong-un’s regime with money.

The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.

In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.

Documentary focuses on Sona, the daughter of the director’s brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea.

North Korea has nuclear weapons. How did it manage to get them quietly? Donald Trump is under the impression that as US president he could convince Kim Jong-un, the North Korean leader, to disarm his nuclear weapons and make peace with South Korea. But how was it possible that one of the poorest countries in the world could acquire the knowledge to produce nuclear-tipped rockets?

Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.

A documentary that deeply focuses and visits the trauma of Korea's modern history for 70 years through the life of a father whose family was indifferent.

What happens when a group of international artists travel to North Korea to create art like the regime have never seen before? While the world is on the verge of nuclear war, a group of Western contemporary artists are invited into the eye of the storm. The aim is to collaborate with North Korean artists in a creative exchange project displaying new and challenging art in a country where abstract art is forbidden.

From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.

In 2003 Song Du-yul, a philosophy professor, decides to go back to his homeland after spending thirty-seven years in Germany. Within a week after crossing the border, his reputation falls from a respected global political figure to an infamous communist spy. During a five-year-long trial, he was arrested and held in custody. This throws Korean society into turmoil and brings a big conflict between the Conservative and the Progressive parties. The filmmaker calmly contemplates this long period of the incident in detail and depicts a society with an indifferent manner. The story builds through an accretion of whimsical facts and it sometimes brings up uncomfortable truths which will irritate viewers. This film is a camera inside of us that evokes what viewers may have tried to forget.