Based on a novel by Tsutomu Mizukami, this haunting melodrama focuses on a young bamboo worker who takes his father's prostitute as his wife.

Clara, a cosplayer in a wedding dress who wants to become a flight attendant, lives in the same house with her best friend Kinan, but has to separate when the two become pregnant from the same man.

Chris intends to leave the village where he lives, aware that he will have to face Those We Don't Speak Of. Short film inspired by M. Night Shyamalan's The Village.

Winter 1862. In the midst of the Civil War, the US Army sends a company of volunteer soldiers to the western territories, with the task of patrolling the unchartered borderlands. As their mission ultimately changes course, the meaning behind their engagement begins to elude them.

A down-on-his-luck Rotterdam dock worker struggles to get his financials and family life back on track.

Sometime, hopefully not too soon, in a place wherever but not here, all life will have moved underground after a failed uprising. Everybody wears a mask, more often than not of the variety seen only at Halloween these days. In this scary universe (that on closer inspection looks like a twisted, perverted version of our here and now...), a man with a gorilla mask is searching for a little boy with a hessian hood. His quest leads him into a maze of depravity, a pandemonium of all our nightmares and darkest desires – where something awaits that he had already given up on: love.

Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.

The story of a family and an exploration of space in an increasingly crowded world. It follows the quest for a sexual odyssey of an individual.

The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.

Sasha, the younger daughter living in the Canadian countryside, welcomes her family to her home after they have recently escaped Ukraine after the outbreak of war. The tension between her family members gradually builds until things reach breaking point.

Bhinn (Damara Finch) and Eka (Hana Hanifah) are lovers of different ethnicities and religions. Bhinn is a Malay youth while Eka is a girl of Chinese descent. This film conveys a message about culture and religious harmony (tolerance), in the midst of a pluralistic society in the country of Serumpun Sebalai, Bangka Belitung, which always maintains and respects pluralism. This film, which depicts the diversity and natural beauty of Bangka Belitung, was produced by PT Galuh Prabu Sinema and the press from the Bangka Belitung Online News Agency (KBO Babel), under the auspices of the United Bangka Belitung Media Foundation (YMBBB). This film was adapted to the big screen by the wishes of the people of Bangka Belitung, after the short film Bhinn & Eka was screened in a Pangkalpinang Bessinema city cinema.

Nasser is a Tunisian serial killer who committed several murders in the 1980s; he was the country’s last prisoner executed; this film follows his life, psychology, and history.

Sirens drone over the city, announcing a state of emergency involving “disturbance of the electromagnetic field”, while individuals clandestinely fiddle with soldered bits of leftover technology. The cyberpunk mode of dystopian science fiction did not end in the 1990s; thanks to the pandemic and other crises, it’s back – with a vengeance. Alexandra Karelina’s film, superbly shot by Egor Protsko, treats this genre in an experimental way, flashing cryptic images and offering bottomless scenarios of social breakdown.

Piano Man tells the unfortunate tale of a talented piano player embedded in the desperate life of heroin addiction who is handed a life changing opportunity.

This film was shot in 1988. The main action takes place in a rock group's studio during the visit of a few acolytes from Theatre Theatre. It is all served up in connection with Fassbinder «s notion of Antitheatre. The theme of the “mad prince” in actors» improvisations intertwines with the fate of the director and of directing in general. The adventures of the spirit form the true tale of this film. We use only the single interior, the studio room where nothing happens aside from the pulsations of spirit. It comes to life here, and it rests, as if gaining new strength. The Mad Prince Fassbinder is, indeed, spirit. Only a free camera is capable of capturing this freedom.

During a nostalgia-filled day at the seaside amusements, a young couple starts to plan for the future only to discover that their dreams may not line up.

Koburi the Japanese Army Officer portrayed in Sunset at Chaopraya's earlier films dies and the film then goes on to the future of his child and his life which leads to be a leader in the 1973 student riots in Thailand which turned into a massacre.

Ten segments linked to a primary idea: an evocation of the early cinema images.