This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

In this immersive documentary, Winston Stairs invites the audience on a soul-soothing expedition into the world of hiking. Winston’s adventurous spirit guides the viewer through the forests of Ontario, sharing in the enchanting beauty of nature. Through breathtaking landscapes and personal reflections, the film captures Winston's profound love for hiking as more than a mere pastime—it becomes a transformative experience that welcomes self-discovery and a strong relationship with our environment. Join Winston on this inspirational trek, where every step reflects the joys of exploring and the tranquil side of our planet.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Documentary film written by music critic Artemiy Troitskiy. It depicts the variety of Soviet and Baltic rock music and offers its viewer an idea that all this forbidden music is not really dangerous for society. Featuring music bands: "Круиз" (Tambov), "In Spe" (Estonia), "Новый мир" (Estonian hard-rock), "Великие Луки" (punk-rock from Tallinn). Moscow music scene represented by: "Тупые", "Нюанс", "Звуки Му". Leningrad music scene: "Джунгли", "Алиса". Also appearing: "Воплі Відоплясова" from Kiev and "Антис" from Lithuania. Not credited: Roman Neumoev with "Инструкция по выживанию" and Oleg Sudakov with "Гражданская оборона".

Set against a backdrop of spectacular neon footage of Vancouver, Los Angeles, and Las Vegas, the film is an illuminating exploration into the vibrant history and contemporary use of neon. The movement, power, and raw exuberance of neon is revealed through a fascinating demonstration of how neon is made, a montage of notable neon installations and commentary from a colorful array of neon experts.

Behind the scenes with the Lionesses during an incredible year for women’s football

A part of Porto’s nightlife history is revealed. In this work, the artist draws on her extensive archive of video recordings of Porto’s artistic and cultural landscape, which she has captured over the last 26 years, to focus on some of the city’s nightclubs that haven’t survived the years. A work commissioned by Batalha Centro de Cinema.

Abused by her family, forced into marriage, raped, pregnant at 13 then hunted down for violating her family’s honour. This is the shocking, compelling true story of Sameem’s struggle to break free from her past and fight back against her upbringing.

A look at the day-to-day running of the historic Tower of London and coping with up to 16,000 visitors each day. A stunning display of the Crown Jewels.

Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

Radical resistance in the postwar British Caribbean community, from the 1948 Nationality Act to the 1958 Brixton riots.

Poet John Betjeman is shown visiting locations including Vauxhall Park, Aldersgate Street station, Camden Town and Hatfield, where he recites a handful of his poems.

A short documentary about how "Fulton" the Ukrainian Football Club came together.

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.