Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Crusoe, played by Yosemite Sam, has been living off coconuts for 20 years when Bugs washes up on his island.
Bugs takes a wrong turn off the Hollywood freeway and tunnels into the headquarters of Napoleon Bonaparte.
Sylvester Cat accepts a position as mouse-catcher on a ship, and his son, Junior, accompanies him. They encounter baby kangaroo Hippety Hopper being shipped from Australia and, as usual, mistake Hippety for a giant mouse.
In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.
A look at the horror movies of the 1980's.
A short film about not being able to choose what to wear on a night out.
The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.
Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.
Four strangers meet in a mysterious home. There for different reasons, they slowly begin to realize something is terribly wrong with their host… and their chef.
Cindy is allowed to leave the Women’s Mental Ostopital to spend the weekend with her husband Alex. Back home, it seems that her state hasn’t improved. She still sees men spying on her everywhere in the kitchen. Men with cameras ! There’s even one in the freezer!
Thoughts on the Purpose of Friendship follows two friends and their effortless friendship. The subtle interplay and hidden expressions between them remind us, in our increasingly transaction-based society, of the true and simple foundations required to build a friendship.
An amusement park designed for families, couples, groups of friends and everyone who wishes to visit. You don’t know where to go on holiday? Or you’re not sure how to spend your honeymoon? Come to Icemeltland Park, you won’t regret it!
In the world's first media interview, shot in Paris in August 1886, the great photographer Nadar interviews the famous scientist and sceptic Chevreul on his 100th birthday. In their own words - originally recorded in shorthand - they discuss photography, colour theory, Moliere, the scientific method, the crazy ideas of balloonists, and - of course - how to live for 100 years. These two legends of the 19th century have a lively and interesting conversation. One was born before the French revolution; the other was destined to see the marvels of the aeroplane and the movies.
A duck hunter sends his stupid mutt to dog college, and he comes back superciliously clever.
Shokri is in prison because of a debt, he wasn't able to repay. One day during his day pass out of the prison he found a black purse full of money and he tried to find the owner, in order to return the money back. Shot in 2015.