A micro-world, where everything refers to the slogan: "We are all connected."

An exploration of the visual and psychological parallels between the American western frontier and the conflict in the Middle East.

One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

Two kids go hunting for ghosts to help their dad run a burger cafe. An epic sequel to Hardcastle's "T is For Toilet" segment of the horror anthology film "The ABCs of Death", it takes place 12 years after the accident.

A young woman spends the evening alone at home. She decides to give herself a treat, but not everything works out as smoothly as she imagined.

A girl draws a circle on the ground. Passers-by step into it, one by one. Soon the circle is full of people.

Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

After witnessing an old dark stormy cloud painfully rain and die in sorrow; Noma, a puffy white cloud realizes that Mixtli, her daughter, a dark stormy cloud, is in danger of raining prematurely.

Berlin queer community members mourn the substance abuse-related loss of their friends by sharing memories and rituals. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care.

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

A building in Israeli Hebron, which has been deserted by its Palestinian occupants, is called 'The Mute's House' by the Israeli soldiers stationed there and by the tour guides who pass by daily. The building's only occupants are a deaf woman, Sahar, and her 8-year-old son, Yousef. The family's unique story, in the midst of the Israeli-Palestinian conflict, unfolds through the eyes of the young and charismatic Yousef, as he goes through his daily routine on both sides of the torn city.

In 1840 it took 5'30" to make a photograph.

A playful and original vision of the indelible mark left by Emiliano Zapata.

A documentary film about the cherished tradition of costuming during Mardi Gras in New Orleans. Members of the city's colorful costuming community share their unique traditions while gathering at the epicenter of all things costuming - the family-owned fabric store, Jefferson Variety.

A stop-motion clay-animated chess game, which is about as exciting as watching… a chess game.