A story of an over-the-hill prostitute whose life savings are stolen during the Holy Week.

The crew of an Air Force bomber arrives in Pearl Harbor in the aftermath of the Japanese attack and is sent on to Manila to help with the defense of the Philippines.

Two women in a remote Muslim community confront an escalating blood feud and reach deep into themselves in hopes to undo the feud stretching back generations.

Decades before the rise of liberalism in Spanish-era colonial Philippines, a young charismatic preacher leads a movement for equality and religious freedom for his fellow native Filipinos. He is hailed as the Christ of the Tagalogs, but is sentenced to death for heresy by both Church and State.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

When the Love Is Gone is a 2013 Filipino romantic drama film directed by Andoy Ranay, starring Cristine Reyes, Gabby Concepcion, Alice Dixson, Andi Eigenmann, and Jake Cuenca. The film is distributed by Viva Films with co-production of Multivision Pictures and was released November 27, 2013 nationwide as part of Viva Films' 32nd anniversary. The movie is a remake of the 1983 blockbuster movie directed by Danny Zialcita entitled Nagalit ang Buwan sa Haba ng Gabi which stars Dindo Fernando, Gloria Diaz, Laurice Guillen, and Eddie Garcia.

A self-made farmer and rice mill owner who faces a rebellion by his two sons when he installs his young mistress as the new woman of the house immediately after the death of his wife. Complicating matters further is the fact that the older son is already living with his common-law wife in the same house.

Mikey, a young, discreet, gay man from the affluent class, spends five years in a city jail while hearing his case for drug pushing. Inside prison, Mikey holds back to adapt to the culture and stratification among inmates. Eventually, Mikey becomes a ‘Mayor’ (ring leader) to a group of gay inmates called “Gang-da”. Together, they thrive to survive the dangers of several gang riots, the mundane, and the decay of human dignity.

A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

A young boy frequently visits an old man who lives alone, keeping him always in good company. One night, he chances upon the old man watching a dated clip of himself as a cross-dressing boy. This sparks within the young boy an interest to find out more about the old man's past. What he ultimately discovers aids both him and the old man towards a richer understanding of how the weight of life and identity should be carried.

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

In a failed diamond heist, two hopeless thieves hide out in an apartment taking a ten-year-old boy hostage. With a gang of dirty police closing in on them each thief must decide to what lengths he will go to survive--a decision that will change the boy's life forever.

Rekados is a magic-realist tragicomedy of three generations of cooks in the slums that own a karinderia. Josefina, the matriarch whose traditional skill in cooking keeps the family alive; Laura, the daughter who prefers cooking to please her customers and the man she desires; and caught in between the two is Pinay, the granddaughter who mimics Kris Aquino to get a basketball player of her own. In their small world of the kitchen that empowers and imprisons them, they cook dishes that symbolize their affection: adobo; kare-kare; dinuguan; and pansit. Each of them brings different flavors as they mix with each other and the men of their desires.

Alfad, a Lumad whose soul returns to his homeland to settle unfinished businesses and to finally rest. It is based on the Lumad’s belief that when a person dies his soul goes back to his homeland.

Kaye arrives at the airport in Pampanga where she waits for her estranged father to fetch her. Arriving late, her father tells her they have to wait for another arrival later that day. In those first few hours they spend together, how do they both attempt to get to know each other?

Little Mia has a lot of questions about death even if she is only 7 years old. She has always heard about it but never fully understood it. And as she experiences the loss of her own father, she struggles to see her mother’s sadness grow heavier each day. Mia seeks help instead from the shadow puppets her father left her, to cope and understand the meaning of life and death.

Alona attempts to possess her heart's desire: a man who frequents her fantasies and the toilet of the Naga City bus terminal.

Consuelo, a ghost who has haunted Escolta for many years, finds a respite from her loneliness in Joey, a young man who has just died. As the two ghosts pass the time before Joey moves to the afterlife, Consuelo questions her reasons for staying put.

A woman returns to the village of Kagbunga in the Bikol region carrying the ashes of her only son via the old train that circles her universe like the tandayag, the primordial serpent. In a filial act of mourning, she will reckon and reconcile the thin line that exists between tragedy and transcendence and prove and that even the most broken life can be restored to its moments.