Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.
A strange town and the odd behaviour of its inhabitants.
The Short Films of David Lynch (2002) is a DVD collection of the early student and commissioned film work of American filmmaker David Lynch. As such, the collection does not include Lynch's later short work, which are listed in the filmography. The films are listed in chronological order, with brief descriptions of each film. The DVD contains introductions by Lynch to each film, which can be viewed individually or in sequence. 1 Six Figures Getting Sick (Six Times) 2 The Alphabet 3 The Grandmother 4 The Amputee 5 The Cowboy and the Frenchman 6 Premonitions Following an Evil Deed
A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.
Sam, a shy young man, finds himself in a slow-motion world. Trying to restore the time, he fails. The circumstances bring him to rescue his coworkers, and Nathalie, the girl he secretly loves.
Sketch Film #3 (Tomonari Nishikawa, 2006, min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
In this short film, a mysterious character goes on a journey to the back of his mind on the night of his birthday.
Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for Adult Swim Smalls.
This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.
A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.
Flash projection from dutch visual artist Han Hoggerbrugge
The surreal film Newscaster/Dragon/Maggots is a transmission of what lurks in between the channels. This is a rotoscoped piece of animation created from three randomly selected pieces of found footage. The foundation of this piece is based in mathematics, chance and montage editing measured in increments of triangular numbers. After the Formalist groundwork was laid, elements of Surrealism were employed to take the film beyond the initial framework of the metric and rhythmic editing process. The pixels were playfully manipulated and melded together into an entirely new form, backed by a noise composition set into place without regard for pacing, only duration. Music by legendary noise musician Merzbow.