An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.

Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.

In the future cloning machines known as “Multipliers” were forbidden and abandoned still operating. They still create clones inside them, in an infinite loop that is perpetuated by their security protocol.

Evaporating Borders is a poetically photographed and rendered film on tolerance and search for identity. Told through 5 vignettes portraying the lives of migrants on the island of Cyprus, it passionately weaves themes of displacement and belonging.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.

In a post-apocalyptic Spain different tribes survive, struggling to take control of the only existing sustenance: a red wine of negligible quality. (A sequel to Made in Spain, 2016.)

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.

Michel, a young aristocrat, mourns over the recent suicide of a close friend through a journey into the empty and violent environment which surrounds him.

Ivan lives with his mother in the daily routine. Without prior notice, Jacobo, the oldest son who was absent, comes back home; desperate for his own situation he decides to start a short trip with his younger brother, Ivan. All along the journey they will learn to understand each other, they will try to make up for lost time and rebuild their affective bonds.

Citliali, a lonely woman, faces a difficult, marginalized life, which seems to be full of obstacles. During the day we will discover the real cause of her affliction.

Jorge and Diego, two rival brothers who haven't seen each other in a long time, are reunited when their father dies and they decide to make a trip to the house of their infancy. The contact with the past and the secrets that come to light worsens the rivalry between the brothers and confronts them in a situation that will change their lives.

Cecilia is a young woman. Mateo is a boy. They are friends and work together on the subway. Faced with a financial hardship, a security guard makes Cecilia an offer in exchange for money. After much hesitation she accepts; this leads her to make a devastating decision.

Gizella turns 15 today; she's becoming a woman. Her strict and bourgeois parents have organized a fancy dinner-party to celebrate with their closest friends. At the end of the event, Gizella will have to give a speech, but everything gets complicated when she discovers that a little plant has begun to grow in her mouth. Gizella needs to hide her secret to save her parents from the shame, though this means going against her own nature.

A nameless immigrant crosses the border leaving behind him a trail of blood and death. On his trail is an aging lawman seeking justice and redemption

"The 800 Mile Wall" highlights the construction of new border walls along the U.S.-Mexico border as well as the effect on migrants trying to cross in the U.S. This powerful 90 minute film is an unflinching look at a failed U.S. border strategy that many believe violates fundamental human rights.

The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.

There are promises that are impossible to keep. My uncle José made such a promise as a child in 1963 to my mother Ana Luisa, to whom he declared a special kind of devotion. There are always bonds like this between siblings establishing mysterious complicites. This is what José declared to little Ana Luisa: "The day that you die, I´m going to die with you".