Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.
African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.
Lilja lives in poverty and dreams of a better life. Her mother moves to the United States and abandons her to her aunt, who neglects her. Lilja hangs out with her friends, Natasha and Volodya, who is suicidal. Desperate for money, she starts working as a prostitute, and later meets Andrei. He offers her a good job in Sweden, but when Lilja arrives her life quickly enters a downward spiral.
A poor construction worker, who struggles to keep his son in private school, mistakes an orb he finds in a junkjard for a toy which proves to be much, much more once the young boy starts to play with it.
Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
A group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung.
Jimmy Gralton returns from New York and reopens his beloved community hall, only to meet opposition from the local parish.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
Fashion icon Coco Chanel, steeped in wealth and fame, still issues game-changing designs and collections. The audience is taken backwards in time to the woman's upbringing in an orphanage, and traces her path to ubiquity as it winds through poverty, wars, doomed romances, and rather glamorous betrayals.
A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.
Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.
A mentally ill man searches New York for his missing eight year old daughter. He recreates her steps each day hoping for some clue to her disappearance, until he meets and befriends a woman with a daughter the same age. Could she help him with the missing piece of the puzzle?
After fourteen years in Japan a small-time crook returns to his hometown.
A look at the lives of migratory farm workers, focusing on one family.
A Peruvian teen lusts after his wild sister while the new wife of their difficult, wealthy father tries to hide her lower-class background.
Three friends from the northern half of Seoul move to the more affluent southern half, but experience many troubles there.
Sometimes it feels like we live in different worlds. But really, we're not that far away.
Françoise Barnier, the film's heroine, is a mother. One day, she stole something. She was in dire straits but no more so than usual. She was not in debt. She had always refused the degradation of excessive debt and charities, attempting to live in line with the rules laid down by society and the law. We follow her journey through the judicial institution. Here, two ideas of justice and law collide.
Can there be a bleaker portrait of a life half-lived? Cinematic treatment of poet R.S. Thomas's story of Twm, the "shy soul" who lives and dies alone in the "grim house nailed to the mountainside", oblivious to the interest shown in him by young girls in the village and to his own isolation as he scratches a living from the farm.