HE is an ACTOR, SHE is an ACTRESS... But this... Is not important to the story.
Two robots embark on a quest to become human.
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.
A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.
"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973
French artist Maurice Chevalier (1888-1972), a legend of stage and screen, was an accomplished singer, actor and entertainer, who embodied the charm of his native Paris throughout a decades-long career that brought him fame in Europe and America and left for show business history a vast repertoire of masterful classic songs and captivating film performances.
The line between isolation and creativity begins to blur for a group of teenagers. Some are free, some are not; but all have moments of passion and beauty.
A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.
A woman finds herself in a distorted reality, walking through a labyrinthine space. Seeking to leave this place, she faces and gives new meaning to her memories so she can move on.
Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.
Matheo is a 17 years old students. Despite being a good one he is lonely and has no friends. His family is precarious. Born from an alcoholic father and a housewife mother Mathéo did not have the best childhood… It’s during his puberty than he discovers not only himself but his sexuality however he will soon assimilate the taste of sex to taking part of other people’s suffering. He will start by first torturing animals in vicious ways but he will soon change up his mind to tackle bigger species. Men and women that will cross his path.
An experimental film that explores the minds of a teenage couple experiencing an unintended pregnancy and their struggles with social pressure, discrimination, and abuse.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.