A recap of Kimetsu no Yaiba episodes 6–10, with new footage and special end credits. Tanjiro ventures to Asakusa, Tokyo for his second mission with the Demon Slayer Corps.

A recap of Kimetsu no Yaiba episodes 11–14, with new footage and special end credits. Tanjiro ventures to the south-southeast where he encounters a cowardly young man named Zenitsu Agatsuma. He is a fellow survivor from Final Selection and his sparrow asks Tanjiro to help keep him in line.

This story takes place about 2 and half years after their first encounter. Kijima moved from Tokyo to his parents' house where his sister and her husband live, and Kuzumi, who was a university student, got a job and works in Tokyo as a member of society The two, who had only communicated by letters, reunited in the countryside where Kijima lives.

Gabby is forced to take care of a strange animal called a Kango.

Click, click. Tip, tip, tip… Tip, tip. A young woman seeks spirituality and tranquility in the web. Bit by bit she dives into the absurd realm of screensavers and desktop backgrounds until merging with the uncanny operating system named “OS Love”.

A bullied schoolboy takes drastic measures against his tormenter, summoning an ancient being in the woods using a spellbound book passed down through the generations of his family.

We take a tour of Porky's Poppa's farm, to the tune of Old MacDonald. After meeting several animals, "on this farm, he has a mortgage" which he frets over, particularly since Bessie has stopped producing milk. Poppa orders an Acme milk producing robot, and the beast vs. machine battle is on.

For René Fustercluck, life was bad, the Apocalypse was awful, and then Gordon arrived.

The mice are on the loose after hours in a doctor's office, playing with the various pieces of medical apparatus. Susie Mouse is caged for research until her lover Johnnie frees her. A mouse orchestra plays a swinging wedding song. But throughout, a cat is stalking...

The bull makes short work of the matador, and then turns on Porky, a tamale vendor who wanders into the ring accidentally. But then he makes the mistake of actually eating most of Porky's extra hot tamales.

Blackout gags about the holidays. New Year's (the baby speaks to us). Valentine's Day, Washington Day, etc.

The mouse, tired of being chased by the cat, convinces him there's no reason for it, and that the cat should talk to the dog and convince him too. The talks are not successful...

Porky introduces a newsreel of wartime spot gags, including a spoof of the RKO Pictures logo, and caricatures of Jack Benny and Rochester.

Emily the chicken lives in Hickville but dreams of Hollywood. Her chance comes when director J. Megga-Phone happens to drive past and gives her his card.

A young horse says hi to little donkey Spunky. But the horse's mother pulls him away, saying we don't associate with that kind. Spunky makes a few more overtures, and eventually they set off on a chase, running across a bull from time to time. The horse stops to eat a lot of apples and drink far too much water; this leaves him too bloated to move much at all. The two continue to anger the bull, which gives chase; Spunky saves the colt, and they all live in harmony.

A determined bird goes out early to hunt for a worm and the bird gets into trouble.

When the lights of the city go dim, all of the kitties are let outdoors to prowl. Holding a meeting, they come up with a plan to rid themselves of a neighboring dog. The cats proceed to torment him, chase him with a water hose, and try feeding him.

Rosie is a 12-year-old girl whose ugliness makes her the laughing stock of almost all her classmates and the victim of incessant bullying. One day, she is saved from a fresh attack by a one-eyed crow. Following the bird into a strange, dark forest, she meets a witch who will grant her dearest wish.

We Should Have Coffee Sometime is a four-minute animated documentary exploring a loss of faith. The film begins with a meditation on the end of a relationship. About one minute later it is revealed that the relationship is not between friends or romantic partners but between co-director Maile Martinez and God. To complement and clarify the narration, the project employs a variety of animation styles.