"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
A silent succession of black-and-white photographs of the city of Montreal.
A canceled Thanksgiving parade and no options professionally or personally, Kimberly DiPersia and Alex R. Wagner decide it would be a perfect opportunity to travel to Florida.
A view of the Ferris wheel from the Chicago Exposition of 1893, turning slowly.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A street scene in Toulouse. Catalog no. 157.
If you've ever seen Motor Officers handle their heavy-weight cruisers with the ease of a child's toy and wondered in amazement how they do it, wonder no more. This DVD will show you how to use the 3 simple Motor Officer techniques the cops have been trained in for more than 60 years. Until now, these training secrets have not been available to the general public. I have developed a simple step by step procedure that will allow you to master the 3 Motor Officer techniques in just 3 to 4 hours. I know my step by step plan works because I've put hundreds of students through the exact course you'll see on this DVD. I use a modified version of the Police Motor Officer course that can be mastered in just 1 day. Even riders with 20 years of experience will improve their skills by 100%. I'll even show you the tricks to passing your State motorcycle endorsement test.
A battalion, preceded by three riders and a military marching band, parades in front of the crowd. A man is manoeuvring a handcart bearing the inscription "Sunlight Soap" in the foreground.
The arrival of King Rama V, the king of Siam, in Switzerland.
A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.
A man trots around on a horse for the camera.
A BFI collection of 7 short films from the USA, England and Italy scored for Piano, Guitar and String Quartet.
Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
Documentary footage of the author and his two daughters at home.