The travails of a third-rate traveling theatre company and its wardrobe lady / maid who dreams of stepping in as their melodramatic production's (Flaming Women) female lead.
An insane surgeon's obsession with an actress leads him to replace her wounded pianist husband's hands with the hands of a knife murderer--hands which still have the urge to throw knives.
The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.
Cantinflas, who owns a cleaning business, cleans the windows of the house of a famous French actress. While carrying out his work he observes how a man steals one of the famous actress necklaces, but he can only see his back.
To Jane Falbury's New England farm comes a troup of actors to put up a show, invited by Jane's sister. At first reluctant she has them do farm chores in exchange for food. Her reluctance becomes attraction when she falls in love with the director, Joe, who happens to be her sister's fiance.
An incredibly popular stage performer unknowingly falls madly in love with the lone critic that savaged her performance in the press.
Spendthrift Willie Hale again returns penniless to the family home in London. His father is none too pleased, but Willie smooth-talks him into letting him stay. At the same time he turns the charm on Dorothy Hope, whose father is big in linoleum and who, before Willie's arrival, was about to become engaged to a Russian aristocrat.
In his eagerness, to be movie extras, Tin Tan and his carnal Marcelo police get into trouble, among other entanglements.
An aspiring actress gets a housesitting job and finds herself in a cat-and-mouse game with a deadly ex-con.
'Makeup Man' tells the story of cinema within cinema. Directed by Shafi, the film has Jayaram and Sheela in lead roles. The film inside the film is titled 'Cindrella' and Sheela plays Anamika, the actress doing the female lead in 'Cindrella'. Kunchacko Boban plays her hero in the film, while Siddiq plays Sidharth, the director.
The story of Alex, a copy-writer dreaming of being an adventure novelist someday, who meets and romances Indian beauty Reena, while she is vacationing in California. Torn by her blossoming feelings for Alex and her Indian family values and obligations, Reena returns home without saying goodbye. Alex, distraught by the turn of events, decides to follow her to Mumbai and win her back.
When an out of work actress unexpectedly lands a starring role in the sexually explicit mini-series adaptation of a best selling erotic novel, her aimless, stoner boyfriend does his best to be supportive. But when her volatile, Oscar winning co-lead takes "rehearsals" too far, her dream job becomes her boyfriend’s worst nightmare and the couple is forced to decide whether or not their relationship is worth fighting for.
The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.
Profile of actress Greta Garbo, narrated by Glenn Close
Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)
Summertime, a meadow covered with flowers. Wrapped in the rustle of birds and crickets, an old woman tells us about her life. Her happy childhood, her career on stage, moments of sadness or heartfelt joy. Such is the common, exceptional fate of Stefka Drolc.
The story follows five months in the life of Belgrade student Maja Sabljic, an actress-to-be, from her high school graduation day (at the end of May) until mid September when she tries to enroll at the Film Academy (FDU). The story is presented in the documentary style, involving the real-life persons of the late seventies' Belgrade scene.