The latest Directive of the Prime Ministry of the totalitarian State bans foreign medicine. A landlord of an apartment house learns that one of the tenants is violating the Directive. The landlord must report the violation, but he desperately need this medicine himself…

The story takes place in the year 1977 about the hero fleeing into the forest during the time when soldiers, police suppressed the communists. One day he meets the first villagers, everyone is afraid, but when the hero observes and analyzes that this villager is not disguised. A true villager Little knowledge due to loneliness of having to watch the spot alone, the hero tells the villagers to come back and forth. They are close to each other. It can be seen that only political ideology can divide us. One day the villagers suddenly didn't come as scheduled. The protagonist goes looking for the villagers. making the hero see bad things again

Growing up in 1950s England in an intolerant and uninformed world, young Chris Winters struggles to fit into the gender roles dictated by wider society.

An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.

After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.

Timo is gay. Because a boy in his class came out publicly, he gathers the courage to tell his friends but they don’t react the way he had hoped for. On top of that, his homophobic parents also find out. As he then also starts receiving anonymous threats, he doesn’t see any way out of this mess.

A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.

With his career in jeopardy a journalist begins to question the nature of his friendship with a senior journalist.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

Rika is a lonely prostitute who finds support and love from the drug-dealing and single mother Dewy. When a traumatic incident with a client occurs where one of them ends up in prison, their relationship is put to the test.

When events in Rosie's life trigger a crisis, she embarks on a quest to find the mysterious man who saved her life as a child. But now that man is dying. Can she reach him before it is too late?

An actress loses her identity in a character, what then turns her life into tragedy.

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

Two incarcerated women in a secured forest of the North of Quebec are subjected to hard labour of reforestation. Confronted to their body’s instrumentalisation and its underhand control, they enjoy a little area of freedom they managed to create thanks to a prison guard particularly empathetic towards them.

After a boy stops taking his pills, he quickly has blood on his hands alongside a knot of fears and problems to overcome.

Intercutting live action footage with animation, a depiction of the possible memories, repressions and fears of the leading character. The animated sections are monologues by a male figure drawn to highlight the tension between rigid and fluid body structures, skeleton and flesh.