Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
A documentary essay on coming of age and the power of the unconscious. In the same vein as Sweatlodge Song, this is a message of courage and hope.
In appreciation of the eponymous stream, this poem is a love letter to the beauty found in nature. Written and spoken in English and Anishinaabemowin.
From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.
Thelema Now! host Frater Puck discusses William S. Burroughs, possession, synchronicities and chaos magick
Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.
An Experiment in Leisure explores the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.
Cold War Leningrad: In a culture where the recording industry was ruthlessly controlled by the state, music lovers discovered an extraordinary alternative means of reproduction: they repurposed used x-ray film as the base for records of forbidden songs. Giving blood every week to earn enough money to buy a recording lathe, one bootlegger Rudy Fuchs cuts banned music onto such discarded x-rays to be sold on street corners by shady dealers. It was ultimate act of punk resistance, a two-fingered salute to the repressive regime that gave a generation of young Soviets access to forbidden Western and Russian music, an act for which Rudy and his fellow bootleggers would pay a heavy price.
Germany, as seen from the water. The landscape passes by in epic tranquillity as the audience immerses itself in the world of barge shipping. The top permitted speed for smaller watercraft is specified in the inland waterways regulations as a maximum of 15 km/h. A woman is along for the ride on Germany’s rivers and canals, with plenty of time to explore this little-known cosmos. In the end, the director dreams of a life on board and endeavours to find her place in the predominantly male domain. Welt an Bord is a hybrid of documentary and narrative film. The basic conditions are set by the limited space on the barge and the work that must be done. Kathrin Resetarits embodies the alter ego of director Eva Könnemann, while she herself takes charge of the cinematography. Together they accepted the captain’s invitation to join in this other life. What kind of life is it anyway? Resetarits/Könnemann listen and work their way through fiction and reality.
The preservation and development of traditional folk crafts is in the hands of skilled individuals... Wicker Beauty presents portraits of those creators from among the holders of the title Bearer of the tradition of folk crafts, for whom the basic working material is various natural weaves. We will show baskets woven from pine bark, tying birch brooms or traditional products from willow wicker and also from pedig, which is a material obtained from tropical liana in Southeast Asia. The five award-winning manufacturers continue the legacy of old basket makers and, together with their families, maintain a tradition in their home workshops that continues from generation to generation.
The chaos on the streets of Vancouver that unfolded in the wake of the Canucks’ loss in the 2011 Stanley Cup Finals is revisited from dozens of perspectives.
This film reveals the resurgent San Francisco Bay Area culture of zines - artistic publications that are self-made, accessible, intentionally tactile and NOT the Internet. We meet remarkable zine authors in their studios, a major art museum curator, and avid zine festival goers and promoters.
Martin Short narrates the story of "his own" birth to explain the subjects of sex, conception, pregnancy and childbirth in an entertaining and educational way.
Berlin queer community members mourn the substance abuse-related loss of their friends by sharing memories and rituals. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care.
Traveling to North Africa, Ripley offers views of The Meeting Place of the Dead in Morocco, a jail for nagging wives, a village with houses made of tin cans, and a sultan with many wives and children.
This film without words is composed of Pamela Bone's unique photograhic transparencies. Her talent has been said to 'push photography beyond its own limits, liberating it to the status of an entirely creative art form.' Inspired by nature, and being more responsive to feeling than to thought, Miss Bone has sought to express the mystery and beauty of the inner vision through photographic means alone: landscape has the quality of a dream; children on the sea-shore have a sense of their own enchantment, trees are forboding and strange when night moves in their arms. It took Miss Bone twenty years to find the right technique and so overcome the limitations that photography would impose.
As Singapore dredges sand from beneath Cambodia's mangrove forests, an ecosystem, a communal way of life, and one woman's relationship to her beloved home are faced with the threat of erasure.
This short documentary focuses on protests surrounding a homophobic sign that hung behind the bar of Barney's Beanery in West Hollywood for many years.