Between scenes from an excruciating date, Jim Jefferies digs into generational differences, his own bad habits and the shifting boundaries in comedy.

HBO stand up comedy presents Whoopi Goldberg and Billy Connolly

From his onstage tackle to the slap heard round the world, Dave Chappelle lets loose in this freewheeling and unfiltered stand-up comedy special.

Comedian Dusty Slay serves up his distinctive homespun humor on shirt-tucking, hipster coffee shops and country music mysteries.

Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Stand-up comedian Urzila Carlson keeps the crowd roaring with her thoughts on recasting "The Biggest Loser," sex tape regrets and boxed wine hangovers.

Hilarious, raunchy. adult comedy. In clubs and theaters across the country, Lisa Lampanelli calls audience members colored, queer, bald, fat, and old. Do they get offended? Angry? No! They laugh uncontrollably and demand to know when she'll be back in town. After watching this hour-long concert--filmed live at Rascal's Comedy Club in West Orange, New Jersey--you'll see why! A cross between Don Rickles, Archie Bunker, and a vial of estrogen, Lisa lives up to her three favorite F-words: "Fierce, Funny, and Fearless"! She's got a bawdy personality, all-out honesty, and the insult comic's most essential quality--undeniable likability. All this adds up to one important 4-letter word: STAR.

Comedy's "Bitter Buddha", Eddie Pepitone, is a ranting absurdist and a self-deprecating rage machine. His random non-sequiturs are a refreshing antidote to stand-up’s standard observations.

In his second comedy show the Dutch comedian Kees Torn sings about postmen who wonder about street names, Rotterdam by night, playing Mozart and being trapped in your own limited body.

In his third comedy show the Dutch comedian Kees Torn tells and sings about his girlfriend. He is in love and therefore affraid that it will end. He also fears that he is too in love to write about anything else and that his audience will get tired of him.

In his fourth comedy show the Dutch comedian Kees Torn has resolved not to talk about his girlfriend anymore, as that got out of hand in his previous show. This performance is therefore about other matters: how progress does not always actually bring about progress.

In his fifth comedy show the Dutch comedian Kees Torn reflects on addictions. Torn himself struggles with a dependence on whiskey and cigars, but also rhyme, Bach and his girlfriend José.

In his sixth comedy show the Dutch comedian Kees Torn tells that his impresario no longer allows him to talk about his girlfriend, his love for cigars and whiskey. That's why he's only talking about politicians, television personalities and important things like the QWERTY keyboard layout.

In his (Poelifinario price winning) seventh comedy show the Dutch comedian Kees Torn remembers the death of loved ones. Torn reflects, in his own way, on life and death.

In his eighth comedy show the Dutch comedian Kees Torn reflects on his youth in a Reformed environment and how he lost his faith.

Comedian Cedric the Entertainer uses his considerable appeal to introduce some up-and-coming young stand-up comedians. Cedric himself takes on topics such as Bill Clinton, the death penalty, reality television, fast-food chicken, church etiquette, and much more. The other comedians are a mixed lot: Roland Powell amusingly mocks insecure boyfriends and sings a singles bar pick-up song and Juan Villareal gets some laughs out of food stamps and The Blair Witch Project, while Tony Luewellyn flounders through weak material about Ex-Lax and the war on terror. Then along comes J.J., who gives a surreal spin to roadkill and giving birth to septuplets.