Dulac’s three 1929 “abstract” films, Disque 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a “pure” or “integral” cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Disque 957, is conceived of as a “visual impression […] in listening to Frédéric Chopin’s Preludes n. 5 and 6”. Its title and its opening shot of lightplay on a spinning record not only announce the film’s dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller’s serpentine dances. —Avant-Garde Film Festival

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

A privileged music student and an off-the-rails youth share an unlikely moment of intimacy with a violin.

Robert Johnson was one of the most influential blues guitarists ever. Even before his early death, fans wondered if he'd made a pact with the Devil.

In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.

This documentary chronicles Johnny Cash's 1970 visit to the White House, where Cash's emerging liberal ideals clashed with Richard Nixon's policies.

The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein's Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York. Meron felt that if the telecast were successful, the concept could become "another kind of entertainment that can exist on TV." By her request, Underwood's casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.

Run-D.M.C. DJ Jam Master Jay made a huge impact in music and his community. But friends and family still seek closure years after his unsolved murder.

The ghost of a woman who died after an avalanche returns to live with her husband, who has not been able to overcome her death.

In a sleepy provincial town, a Jehovah’s Witness community is under attack from an extremist group. In the midst of this conflict is Yana, the wife of the community leader, whose familiar world is slowly crumbling around her. Meanwhile, a detective intrudes on her home with devastating consequences.

Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.

As Shayla continues to suffer with her depression, her younger sister Sofia suggests that the pair get out of the house for the day in hopes that she can understand what her sister is going through

A 16-year-old girl, bored with her own age group, becomes involved with an older man at a theater she passes.

“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.

Reuniting by chance on a train journey to their friends wedding, a young ex-couple reflect back on their lives between leaving school and stumbling into "adulthood" and how their break-up affected their subsequent relationships.

1. War Music (Intro) 2. So Dressed Up 3. No Reason 4. Angelina And Sister Ray 5. Find The Time 6. Jetslide 7. Kiss Of The Rat 8. I Wanna Go Home 9. You're Out Of My Hands 10. Goodbye Joey 11. You Ain't Nothing To Me 12. Dance To The Rocket From The Crypt 13. Ghost Of My Control 14. Ain't Seen Nothing 15. Escape From Pigvalley Beach 16. I'd Rather Drink Than Talk 17. This Ain't The Way Home 18. Slug It Out 19. I'll Wait 20. No Place To Land 21. This Is My Life

Powderfinger Regroups For 'One Night Lonely' 7.00PM AEST, Saturday 23 May 2020. After a decade long hiatus, iconic Australian band #Powderfinger is tuning up and preparing to bring a little happiness to fans during these challenging days. The title signifies the one off nature of this event and points towards the very important charities the band are supporting, Beyond Blue and Support Act. With millions of album sales in Australia alone, continue to captivate millions of listeners every month across streaming services and radio. In April 2010 announced they were calling it a day. The band embarked on their Sunsets Farewell Tour, playing to over 300 000 people along the way, and on 13 November 2010 they played their last gig, until now… One Night Lonely is presented by Secret Sounds, Universal Music Australia, YouTube and supports Beyond Blue and Support Act.

The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.

A woman inserts a camera in the head of her cheating boyfriend and watches his every move on her computer.

A young socialite hires a bodyguard to protect her when an ex-convict begins stalking her.