A film that brings together ten of the fifteen shorts that Carlos Gardel filmed in 1930 under the direction of Eduardo Morera, in the film studios of the pioneer Federico Valle.

The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.

At the time of the Greek junta, in an isolated army camp, a lieutenant forces a soldier to teach him the tango in order to ask the wife of his Colonel to dance with him.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made.

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

Portrays the misunderstandings, losses and shipwrecks of the past of an unusual character who walks the streets of San Telmo forced to build a new identity.

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

The atmosphere of GOTAN PROJECT's live performance at the CASINO DE PARIS has been captured here in High Definition for your enjoyment by the award winning music filmmaker Fabien Raymond. For the past decade, GOTAN PROJECT have been taking their music to tango lovers around the world. A GOTAN PROJECT show is a total sensual experience, enhanced by the stunningly evocative visuals of Prisca Lobjoy, whose work as GOTAN PROJECT's artistic director has played an integral part in shaping the GOTAN aesthetic right from the start. Lobjoy's stage visuals offer the viewer a landscape rich with fragmented, abstracted images that literally pulse with the music as if caught in the dance. We see dancers fall from the sky, a golden girl swings back and forth, surreal fairy tales unfold before one's eyes.

While studying at a Catholic boarding school, the young Luisa meets a boy, Julio, who talks to her from the street and through the gate. However, the girl's arrogant older brother removes her from the establishment and takes her to live in her family house. The beginning of love between Luisa and Julio is made even more difficult by what seems to be the beginning of a disease in her.

After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.

A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.

Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.

A famous fashion designer returns to his birthplace in a tiny Serb town, in the wake of the recent war. Although the inhabitants still love to dance the tango and live life's pleasures to the full, the Mafia have gained a foothold.

A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.

Concert and Interview with Astor Piazzolla and his sextet by the BBC-Bristol.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Inspired by the affair between Carlos Gardel and Ivonne Printemps, this story tells the quest of that unfinished love in today's Buenos Aires.