Troye Sivan's short film original presented through three music video : "Wild", "Fools", and "Talk Me Down". The film follows the story-line of Troye Sivan and his fictional childhood friend and love interest and the many struggles their same-sex relation faces.
01. Ammonia Avenue, 02. Let Me Go Home, 03. One Good Reason, 04. Since the Last Goodbye, 05. Don't Answer Me, 06. Dancing on a High Wire, 07. You Don't Believe, 08. Pipeline, 09. Ammonia Avenue
The Sadies Stop and Start captures a moment in time. That time was uncertain and dark. Still reeling from losing Dallas, we found out that Mike needed to have emergency wrist surgery. We needed to play these songs, not knowing if we would ever have the opportunity again. With one day's notice, documentary filmmaker Ron Mann and a stellar crew pulled together to help us capture these songs. Friends and family gathered to help out and show their support. James McKenty engineered in his mobile recording trailer, In Record Time Studio. The resulting film looked and sounded better than we could have hoped. We are thankful to share that Mike's surgery was successful and we are back out on the road and coming to a city near you.
Based on the Biblical story of sin and redemption, Adam and Eve explore modern LA; the land of gods and monsters.
A woman who can't stand the passing of time turns herself into a black hole. A thousand unchanging years pass inside her warm and dark embrace until, finally, the Singularity awakens inside.
On May 5th, 2019, Alan Parson played a concert at TivoliVredenburg in Utrecht, The Netherlands and the concerts was recorded. Alan Parsons wasn’t too much on tour in the past and there are certainly bands and artists with a tighter tour schedule. Therefor it was a good thing to record the Utrecht concert, which will now be made available for Alan Parsons fans through ‘The NeverEnding Show: Live in the Netherlands.
After the death of her father, Little Voice or LV becomes a virtual recluse, never going out and hardly ever saying a word. She just sits in her bedroom listening to her father's collection of old records of Shirley Bassey, Marilyn Monroe and various other famous female singers. But at night time, LV sings, imitating these great singers with surprising accuracy. One night she is overheard by one of her mother's boyfriends, who happens to be a talent agent. He manages to convince her that her talent is special and arranges for her to perform at the local night club, but several problems arise.
A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
The emotional need and the fear of exposing themselves make Etna and Dario learn to cope with loneliness.
This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.
The music video for the highly anticipated debut single from Car Colors (the new project from Charles Bissell, formerly of The Wrens), “Old Death." The song and music video are about time, how one chooses to spend it, and what those choices cost. Set within the emotional framework of an old portable television with shoddy reception, Charles takes us on an odyssey of music, memory, and mortality.
The story of a dancer who finds mysterious objects in the practice room. The things that brought her gave birth to a new spirit and choreography. Things from a mysterious man who turns out to be a maestro from the past.
A collection of six Christmas song favorites, produced for the home-gauge market.
A child is watching a music video on his television screen.
"Nothing Escapes My Eyes" is about a silent transformation of a place and a human being. Inspired by the texts of Edward W. Said, the poems of Mahmoud Darwish and Verdi’s opera Aida, the film depicts in a metaphoric form current issues of cultural identity, loss and the pressures to conform. With no dialogue, the film is backed by a musical excerpt from Aida whose lyrics express the difficulties of being loyal to one’s country and cultural identity. The personal and urban transformation tackles on issues of identity, loss and disorientation as a result of historical colonialism and contemporary globalization.
"Shinjitsu no Uta" (真実の詩) is the fourteenth single by Do As Infinity, released in 2002. It was used as the fifth ending to the anime InuYasha. This song was included in the band's compilation album Do the A-side. Track Listing: 1. "Shinjitsu no Uta" (真実の詩, Song of Truth) 2. "One or Eight" 3. "Shinjitsu no Uta" (真実の詩, Song of Truth) (Instrumental) 4. "One or Eight" (Instrumental)
A lightning-fast 10-minute dive into art, cinema, music, culture, and beyond, in each part. Ditch the fancy, embrace the fun. No script, just surprises. This part talks about music and its history