Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed.

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it." - Takashi Ito

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.

During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many dissidents went missing. After the throning of a new king, a truth commission was formed in the 2000's. Families of the missing speak.

Super 8 experimental film by Claudio Caldini.

It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.

A two-minute poetic micro-manifesto of ecological and social warning about the endangerment of people and the world's nature in the 1960s.

A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.

Ring is an experimental 16mm short film. It is composed by 20 shots of 30 seconds each, of landscapes and situations following the 35,7 km of the Berlin S-Bahn Ring. An hypnotic flow of fixed shots will transform the experience of observation of the journey only through the internal rhythm, textures and composition of the shots, and where the main subject matter will be time and the present as a symbol of itself.

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

Fadma, 75, tells her life story including being recruited as a sex worker for the French army aged 20, and her views on love, parenthood, and destiny.

Documentary footage, Hollywood cinema and video games collide, overlap and submerge into each other in a Dadaist collage inspired by the poetry of Hungarian poet Mário Z. Nemes. The hypermedia nature of the present is emphasised by fragments that are free of a clear narrative backbone.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.