In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.
A pixalation animation about a woman's dream.
The ballroom dancing the world recognizes today is competitive ballroom dance, sometimes known as dancesport. It is comprised of ten dances, which can all be danced in “closed ballroom” hold. The style danced in BURN THE FLOOR is called “international style” and has been danced in competition since 1920. International style ballroom dance consists of ten dances, split into five Latin American dances and five ballroom dances (standard). Each BURN THE FLOOR dancer has spent a lifetime training to compete against other dance couples. This show allows the dancers to demonstrate their love and passion for their art.
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
Three completely different stories are told through dance.
A jealous dance mom takes extreme measures to ensure her daughter wins a scholarship to an exclusive dance academy. But the victim's mother will do whatever necessary to protect her own daughter from the rival mom's evil scheme.
The government has set up a special agency to stamp out what it considers the number one public menace: the jitterbug. They aren't after the many followers, but the primary perpetrator of the jitterbug, who they've coined "Public Jitterbug No. 1". Hal Sturges is one of several agents working on the case who goes undercover as a dancer in Broadway haunts to find and capture Public Jitterbug No. 1. In his investigation, Hal runs across the beautiful Betty, a seemingly innocent bystander. Hal and Betty fall for each other. However Betty is unaware that Hal is a federal agent, and Hal is unaware that Betty is Public Jitterbug No. 1. Will their roles as agent and public menace number one take priority over their roles of man and woman?
The ultimate video yearmix of 2011. 61 tracks in the mix.
An atmospheric, sub-hallucinogenic venture into the world of the unknown. The enigma facing a young woman is the identity of her father. Unfortunately for her, she becomes drawn into a small Romanian underworld of brooding menace, darkness, torture chambers, and vampires.
A series of four dance workouts featuring music and moves from the hit movie, Step Up Revolution. From the living room to the dance floor, these are moves that you can do anywhere!
Documentary following Japanese girl group Perfume on their 2014 world tour. Featuring live performances and behind-the-scenes footage, the film also includes in-depth interviews with members of the band as they perform in front of sell-out crowds across the world.
A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.
Six beautiful women create a new dance sensation to the song that took the world by storm - in various states of undress - and then, as they really Do the Macarena, totally nude.
Based on the play A Midsummer Night's Dream by William Shakespeare, a choreographic film by Jean-Christophe Maillot. Gorgeous dancing – and wildly imaginative sets and costumes – bring to vivid life the ecstatic, elegant eroticism in Shakespeare‘s classic fantasy. Recorded at The Grimaldi Forum Monaco, 2009.
Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.
This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.
On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.
The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.