An old, ailing general is losing his memory. His anarchist son wants to connect. They share a passion for the Wild East, where grandfather was a famous explorer among Mongol tribes. He died under mysterious circumstances in 1948 in Afghanistan. Rumors say he was a British agent and gunrunner. Michael, the grandson, takes his father Søren out of the nursing home. He wants him to taste life, and he wants them to spend time together. The odd couple travel across China. They encounter temples, chiefs, and ancestors who reveal that the grandfather was a true Lawrence of the East. A man who fought to unite the Mongol tribes and defend them against the Soviet Reds.

Vila das Torres was a self-built community based on one of the largest urban gardens in Rio de Janeiro, below the energy towers of the Light Company and next to the train lines. Eight years after its removal for the construction of Parque Madureira, former residents report their memories.

An ode to the canopy, Ingrain is an attempt to capture one family's recollections of their home through their fading connections with the trees surrounding it.

Aqueducts transport water. Images transmit the memory. Images of aqueducts are useless.

A grandmother takes her granddaughter to visit her past memories through old photographs.

Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.

A family history archive as told by matriarch Azalu Mekonnen and her granddaughter Samira Hooks.

Tracing the life of activist Costis Achniotis, the film develops within the history of the Cypriot radical Left and the bicommunal movement for reunification. In parallel quests between the past and present and with an auto-ethnographic approach, the filmmakers bring together personal artifacts, new and archival material, exploring the dialectics and poetics of the ethnic clash and division in Cyprus.

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

The story of a young Kurdish man who tries to remember his past traumatic experiences. A young migrant struggles to remember the memories of post-2015 Turkey while faced with the commemoration practices of the Holocaust. The film takes place in present-day Krakow, Poland, particularly in the former Nazi concentration camp in Plaszow.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

A recollection of moments between a kid and his granduncle that leads to a personal exploration.

A moving personal documentary about Danny, a friend of Kybartas who died of an AIDS-related illness in 1986. This powerful work explores the reason for Danny’s return home and his attempts to reconcile his relationship with his family members who had difficulty facing his homosexuality and his imminent death.