Short documentary about pagan rites in the countryside.
A documentary following young Anishinaabe water activist Autumn Peltier as she travels to the UN to preserve the future of Indigenous communities.
A moving introductory exploration of society's use of animals. By presenting facts about animals' rich emotional complexity and drawing parallels between the animal rights movement and other social justice movements in recent history, this video will help students use critical thinking skills to examine why and how the routine exploitation of animals continues-and they'll also learn what they can do to help stop it.
Journey into Amazing Caves is an extraordinary IMAX adventure into the depths of the earth to uncover the secrets to life underground.
A portrait of Łódź, Poland that exists in a time-warp of sad memory.
A film documenting the landscapes of northern Iceland.
Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.
Tribute to the workers responsible for maintaining and repairing the tracks, stations, terminals, and tunnels of the metro.
Germany, as seen from the water. The landscape passes by in epic tranquillity as the audience immerses itself in the world of barge shipping. The top permitted speed for smaller watercraft is specified in the inland waterways regulations as a maximum of 15 km/h. A woman is along for the ride on Germany’s rivers and canals, with plenty of time to explore this little-known cosmos. In the end, the director dreams of a life on board and endeavours to find her place in the predominantly male domain. Welt an Bord is a hybrid of documentary and narrative film. The basic conditions are set by the limited space on the barge and the work that must be done. Kathrin Resetarits embodies the alter ego of director Eva Könnemann, while she herself takes charge of the cinematography. Together they accepted the captain’s invitation to join in this other life. What kind of life is it anyway? Resetarits/Könnemann listen and work their way through fiction and reality.
Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
Cold War Leningrad: In a culture where the recording industry was ruthlessly controlled by the state, music lovers discovered an extraordinary alternative means of reproduction: they repurposed used x-ray film as the base for records of forbidden songs. Giving blood every week to earn enough money to buy a recording lathe, one bootlegger Rudy Fuchs cuts banned music onto such discarded x-rays to be sold on street corners by shady dealers. It was ultimate act of punk resistance, a two-fingered salute to the repressive regime that gave a generation of young Soviets access to forbidden Western and Russian music, an act for which Rudy and his fellow bootleggers would pay a heavy price.
After serving time in a New Hampshire jail, a freed inmate faces the pull of addiction.
Traveling to North Africa, Ripley offers views of The Meeting Place of the Dead in Morocco, a jail for nagging wives, a village with houses made of tin cans, and a sultan with many wives and children.
This film without words is composed of Pamela Bone's unique photograhic transparencies. Her talent has been said to 'push photography beyond its own limits, liberating it to the status of an entirely creative art form.' Inspired by nature, and being more responsive to feeling than to thought, Miss Bone has sought to express the mystery and beauty of the inner vision through photographic means alone: landscape has the quality of a dream; children on the sea-shore have a sense of their own enchantment, trees are forboding and strange when night moves in their arms. It took Miss Bone twenty years to find the right technique and so overcome the limitations that photography would impose.