Kaluna, a middle-class worker, who still lives with her parents and older siblings who are already married. She tries hard to save and live simply in order to realize her dream of buying and owning her own house. But the reality of her life as a sandwich generation who has to help support her extended family, coupled with her minimal income, makes it difficult to realize this dream. This condition makes Kaluna feel like she is not at home every time she comes home.
Jeong-eun is dispatched to a subcontracting company. She tries to fit in, but her co-workers aren't comfortable around her and she's completely new to field work. Despite all that, she wants to stay on for a year and then return to headquarters, no matter what. Thanks to a newbie's help, she slowly adjusts to her new workplace.
Adem, a Bosnian coal miner who spends his days digging in the dark depths, and in very harsh conditions, is praised for his work and achievements and known as an exemplary socialist worker.
Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.
From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.
In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.
In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.
Jin Song Rim strives to turn her humble mountain hometown of Pyokgye-ri into a model socialist village.
Chronicle of the repression that a foreign company exerts on the miners of a small nitrate town in Chile, whose workers decide to claim their most essential rights. A reflection of the historic union struggles in the northern Chile that ended with terrible repressive acts.
No te engañes corazón (released in English as Don't Fool Yourself Dear) is the first full-feature film of Cantinflas after becoming a star of the carpa circuit (folk theater). It was also one of the earliest films of Sara García and Carlos Orellana and the first where they share the screen. Don Boni (Orellana) is diagnosed with a deadly disease and decides to spend his last days doing good deeds. He leaves his wife and decides to help people. He then gets drunk and wakes up with a winning lottery ticket and realizes that the doctor who diagnosed him has been sent to prison for fraud.
Bhaiyya Bhaiyya (Theatrical name: Bhayya Bhayya) is a 2014 Malayalam-language comedy film directed by Johny Antony and scripted by Benny P. Nayarambalam starring Kunchacko Boban and Biju Menon in lead roles. The film also features Nisha Agarwal, Vinutha Lal, Innocent, Suraj Venjarammood, Salim Kumar and Vijayaraghavan in other important roles. It features music by Vidyasagar and cinematography by Vinod Illampally and was largely shot at Kottayam, Tamil Nadu and Kolkata. Produced by Laisamma Pottoore under Nobel Andre Production, Bhaiyya Bhaiyya released on September 5, 2014.
In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.
Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.
In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi
Lu Xi, a female engineer at a locomotive factory who lost her husband during the decade of turmoil, and Feng Shaoheng, a young engineer, are working on the automation of lathes.
Competition among fruit growers takes a nasty turn when the main buyer offers unrealistically low prices for their crops.
Don Múnera is a young man from Tolima who ran away from the violence in his region, he tries to live in the big city, but things are not any better, so then travels to the gold mines in Antioquia, meets the people and tries to adapt, despite the dangers in town.
an eight-hour long experimental film/performance art piece in which filmmaker chandler pippin creates their own arbitrary form of service work and films a shift in its entirety.