Centrist revelations abound among repetitions & revisitings.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Slowed, stowed, achingly retold.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Hiding inside&out, writhing about, taken out&in.

Still it's really tall. Still it's really floundering/falling/fading.

Your raging romp results only in rescinded regret the hands of radder cadets.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Don't ask me why, but I feel we're about to cry trying.

It's time the times met each other over & over.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

This cacophony runs over me, over everything I see, everything I want to see: it's me.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.

Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.

A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.

A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia

Something I know or something I was told? When something scalding translates something to behold.