Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Early experimental film from Zbigniew Rybczynski that broke new ground in the use of pixelation, optical printing, animation and other compositional film devices. Beautiful jazz score and color usage.

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

Since second grade Matt and Ryan have shared the bond of speech impediments, weapons, and things that go fast. But as their last days of high school speed by, the two friends find that their go-carts, dirt bikes, and RC cars can’t outrun adulthood.

The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.

Do they really launch themselves onto the shore to grab a hapless snack? See for yourself, and gain a vivid appreciation for their appetites and skills. While your jaw drops at their fearsome agility, you’ll also be learning about their migratory and other behaviours from scientists who observe them daily and strive to increase our understanding of their needs for survival. In this National Geographic ‘Wildlife Special’ you’ll journey around the globe to see their extraordinary hunting techniques in action.

Rare interview of Sergio Martino and Edwige Fenech (with Luciano Martino, Ernesto Gastaldi & George Hilton) discussing their film The Strange Vice of Mrs. Wardh

Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.

Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.

A rock singer, escaping from her abusive boyfriend, forms an unlikely friendship with a struggling photographer with scars of his own.

24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths

Presents the various stages in the production of wool and its transformation into yarn to make clothes, against the rhythm of the sound of the machines.

Generation One is a short documentary that explores the perspectives of the American-born children of Arab Muslim immigrants as they navigate their two identities. The film follows the life of a Palestinian-American named Hamoody as he decides to leave his tight-knit Arab community and pursue his independence. With vignette interviews from five other Arab-Americans to supplement Hamoody's story and expound upon certain themes, Generation One sheds light on a range of unique challenges found between the hyphens.

A short documentary about one of the best independent cinemas in the UK.

In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.

A little girl listens to a violinist playing on the bank of a river. The little girl wants to learn to play the instrument and asks the musician to teach her. The musician will lead her to learn the true secret of music.